Roza Muliati
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PERLAWANAN PEREMPUAN DALAM KARYA DUA KOREOGRAFER: HARTATI DAN SUSASRITA LORAVIANTI Muliati, Roza
Jurnal Ekpresi Seni Vol 13, No 2 (2011): Jurnal Ekpresi Seni
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (47.465 KB)

Abstract

Abstract: Hartati and Susasrita Loravianti are both Minangkabau female leading choreographers nowadays, who have been known for their consistency, quality, and their sensibility toward the issue of gender.  This article aims to reveal the ideology presented in the works of both choreographers and to show the critical dimension of both choreographers toward the factual problem of women today which is remain opposing traditional rules. This article is a textual study of women opponent which is reflected in the works of both choreographers, namely: Hari Ini and Ritus Diri  by Hartati; and Perempuan dalam Kaba, and Meja, Kursi, dan Segelas Jus yang Tumpah by Susasrita Loravianti.   Keywords: female choreographer, Minangkabau, opponent,  tradition.
PERLAWANAN PEREMPUAN DALAM KARYA DUA KOREOGRAFER: HARTATI DAN SUSASRITA LORAVIANTI Muliati, Roza
Ekspresi Seni Vol 13, No 1 (2011): Ekspresi Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (870.407 KB) | DOI: 10.26887/ekse.v13i1.213

Abstract

Hartati and Susasrita Loravianti are both Minangkabau female leading choreographers nowadays, who have been known for their consistency, quality, and their sensibility toward the issue of gender.  This article aims to reveal the ideology presented in the works of both choreographers and to show the critical dimension of both choreographers toward the factual problem of women today which is remain opposing traditional rules. This article is a textual study of women opponent which is reflected in the works of both choreographers, namely: Hari Ini and Ritus Diri  by Hartati; and Perempuan dalam Kaba, and Meja, Kursi, dan Segelas Jus yang Tumpah by Susasrita Loravianti.
TUBUH YANG MENCIPTA MOMEN: PRAKTIK NEGOSIASI TUBUH DALAM TARI WAJAH KARYA HARTATI Muliati, Roza; Udasmoro, Wening; Murgiyanto, Sal
Jurnal Kajian Seni Vol 4, No 1 (2017): Jurnal Kajian Seni Vol 4 No 1 November 2017
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (391.17 KB) | DOI: 10.22146/jksks.44428

Abstract

The practice of the body in contemporary dance is always marked by novelty and invention. For Indonesian choreographers, contemporary dance is a practice of negotiation that brings the influence of tradition from the past into contemporary body. This paper is intended to reveal the practice of body negotiation in Wajah (2013), a dance work of Hartati, an Indonesian choreographer of Minangkabau descent who is known for her progressive dance works. It is one of Hartati’s dance work which reflect her background as a choreographer embodied two different traditions, namely the Minangkabau tradition and the urban Jakarta. The non-linear experience of the body became the foundation of Hartati’s creativity in the creation of his contemporary works. Therefore, Wajah is an experimental dance, a result of negotiation which bring together the influence of Minangkabau dance tradition based on silat with another influences like balet and daily movements into contemporary bodies. By applying the perspective of embodiment, this paper analysed the performative text as well as the negotiation practice in the making process of dance. This practice has resulted an extra daily technique with moment making orientation.