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DISKURSUS ISLAM DALAM KONSTRUKSI MEDIA Fahmi, Muhammad; Abdullah, Irwan; Noviani, Ratna; Udasmoro, Wening
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 10, No 2 (2015): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v10i2.3214

Abstract

This paper aims to examine how the secular media in Surakarta represent Islam in the case of Charlie Hebdo. Therefore, this study used discourse analysis of Theo van Leeuwen focusing on how the subject or actor of the show in the media. This study concluded that the media represent Islam not only with “Western ideology” through idioms such as radical Islamist militants and terrorists, but also with "Islamic ideology". It is done through the construction of Islam as a religion of moderation and delegitimize Charlie Hebdo as magazine satyr abusing freedom. Various strategies are used ranging from strategy passivation to interdetermination. In this case, there are two poles of attraction in both media, namely the Western and Islamic ideology. If both media are quoting from Western sources, the Western ideology dominates the media narrative. Conversely, when both media used Islamic sources, the influence of Islamic ideology dominates the narrative of both media. 
RESISTENSI PEREMPUAN DAN IDEOLOGI PENGARANG TERHADAP TRADISI-TRADISI DI PESANTREN Adnani, Kamila; Udasmoro, Wening; Noviani, Ratna
Yinyang: Jurnal Studi Islam Gender dan Anak Vol 10 No 2 (2015)
Publisher : Pusat Studi Gender dan Anak (PSGA) IAIN Purwokerto

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Abstract

Abstract: Gender issue in  pesantren (or Islamic Boarding School) is a part of larger gender problem in Indonesia, either in education and in religion. The main indicator of this problem is vivid gap between males and females.  This issue is actually not a new thing for there are a bunch of Indonesian novels  serve  it.  Those  novels  touching  pesantren in  the  theme usually  put  the  women as  a powerless, subordinated, inferior, marginalized person. However, the novel Perempuan Berkalung Sorban(PBS) tries to empower women. In the novel, the woman is portrayed as brilliant, brave, and also critical toward the pesantren hegemony such as: the power relation between santri (students) and   kiai (teachers), the understanding on classical books (kitab kuning), social relation between men and women in pesantren ciircumstances, and many more.   Kata Kunci: Resistensi, Ideologi, Perempuan, Pesantren  
KONSEP DIRI REMAJA DALAM FILM INDONESIA: ANALISIS WACANA ATAS FILM REMAJA INDONESIA TAHUN 1970-2000-AN Noviani, Ratna
Jurnal Kawistara Vol 1, No 1 (2011)
Publisher : Sekolah Pascasarjana UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (750.953 KB)

Abstract

Film is a system of representation, which provides information of social dynamics during the period, when the film is produced and distributed. This study is aimed to identify and reveal how teenage selfconcept is discursively constructed through film imagery and narrative in the context of Indonesian society. This study focuses particularly on the physical and psychological teenage self-concepts. The analytical Corpus is eight films for teenagers which were produced from the 1970s through the 2000s.Through the application of Norman Fairclough’s critical discourse analysis, a detailed examination of these films reveals that there are similarities, modification and differences in the way in which teenage self-concept has been constructed from decade to decade. This study also identifies that teenage self-concept has been constructed through various discourses, among other things good versus bad teenagers, role model seeking, and of teenage lifestyle.
Proliferation of Postfeminist-Postmasculine Imagery & Disarticulation of Equality Activism: A Classroom of Feminist Media Studies as Politics of Emancipation Noviani, Ratna
Jurnal Perempuan Vol 21, No 3 (2016): Feminist Pedagogy
Publisher : Yayasan Jurnal Perempuan

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Abstract

Since the end of 1990s, Indonesian media have been suddenly becoming feminists. It could be seen from the proliferation of images of what so-called “female individualism”. In this sense, women are depicted as being independent, success, beautiful and empowered. These images are followed by the rise of images of less superordinate and less powerful men than as previously required by patriarchal order. Subject-object relationship in terms of gender becomes fluid and interchangeable, as if the problem of inequality is already fixed and resolved. Such media images of postfeminism and postmasculinism are, in fact, disembedded and disconnected from the real problems of gender prevailed in the society. Those images tend to celebrate feminist success, but at the same time devaluing and negating feminist political activism. In this regard, integrating feminist perspectives into academic media studies in Indonesia becomes one of pivotal steps to challenge disarticulartion of feminism done via and by the media.
MULTIPLISITAS WAJAH RAHIM: KARYA SENI SEBAGAI NARASI FEMINIS (REFLEKSI ATAS PAMERAN TUNGGAL DEWI CANDRANINGRUM “DOKUMEN RAHIM”) Noviani, Ratna
Jurnal Kajian Seni Vol 1, No 2 (2015): Jurnal Kajian Seni
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (159.214 KB) | DOI: 10.22146/art.11635

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The term ‘womb’ is an organ in the lower abdomen of female body, which is particularlyassociated with pregnancy. Metaphorically, womb is perceived as the origination ofthings that are brought to life with the pour of an intense feeling of affection. The wombis an act of creation, a document of maternal procreation. This article is a refl ectivereading of ‘Womb Document’, a solo painting exhibition by a feminist female artist,Dewi Candraningrum. She tries to move away from what is considered aspure, selfreferentialand apolitical art. Artwork is a feminist narration. Clusters of her mostlyfemale portraiture paintings and sketches represent multiple faces of womb, which havebeen resided in the margins of hegemonic discourse. She uses aesthetic conventionsin her visual artworks, which are different from those applied in the canon. Dewi hasconsidered visual artworks as part of political arts, which should take a side andemancipate the considered Others.
RESISTENSI PEREMPUAN TERHADAP TRADISI-TRADISI DI PESANTREN ANALISIS WACANA KRITIS TERHADAP NOVEL PEREMPUAN BERKALUNG SORBAN Adnani, Kamila; Udasmoro, Wening; Noviani, Ratna
Jurnal Kawistara Vol 6, No 2 (2016)
Publisher : Sekolah Pascasarjana UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (276.754 KB) | DOI: 10.22146/kawistara.15520

Abstract

Gender issue in a pesantren (Islamic Boarding House) is a part of larger gender issues in Indonesia,either in education or religion. The main indicator of gender issue in pesantren is a striking gap betweenmen and women. Themes related to this issue actually are not new for novels in Indonesia. Some novelsrelated to pesantren usually portray women as helplessness, subordinate, inferior, and marginalized.However, in Perempuan Berkalung Sorban (PBS) novel, the author tried to empower women throughhis writings. Women in PBS novel was portrayed as smart, brave, and critical towards pesantren’shegemony such as power relation between santri (students) and kiai (teachers), the understanding ofclassical books (Kitab Kuning), social relations between men and women in pesantren, and so forth
Ibadah Kelas Ala Reality Show Televisi Noviani, Ratna
Jurnal Pemikiran Sosiologi Vol 1, No 1 (2012): Menerobos Kemandekan Demokrasi di Indonesia
Publisher : Departemen Sosiologi Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1181.171 KB) | DOI: 10.22146/jps.v1i1.23432

Abstract

“ Reality show merupakan jenis tayangan televisi yang semakin diminati, dan bahkan mampu menempati posisi prime time di Indonesia. Kemiskinan dan kehidupan kaum miskin merupakan salah satu tema yang cukup populer yang diangkat dalam tayangan realitas ditelevisi.Tulisan ini membahas fenomena tayang anrealitas di Indonesia, khususnya bagaimana program tayangan realitas mengkonstruksi ibadah keagamaan dan distingsi kelas. Empat tayangan realitas yang disiarkan pada momen bulan suci Ramadan 1432 H yaitu Bukan Puasa Biasa(TransTV), Orang Pinggiran (Trans7), Jika Aku Menjadi-Ramadan (Trans TV), dan Big Brother Indonesia (Trans TV) menjadi focus kajian dalam tulisan ini. Kajian mendalam terhadap ke empat tayangan realitas tersebut menunjukkan bahwa ada proseses tetikasi dan obyektifikasi realitas kemiskinan guna mendefinisikan dan menggarisbawahi ibadah kelas.Tayangan realitas tentang kelas bawah cenderung menampilkan banalitas pesan tentang kemiskinan.Realitas hidup dan ibadah agama kelas bawah hanya menjadi project bagi kelas diatasnya untuk memperbaiki kualitas spiritual keagamaannya dan untuk membangun citra positif tentang sikaya.Persoalan kemiskinan, pada akhirnya, hanya dianggap sebagai problem individual yang bisa dilalui atau diatasi dengan religiu sitas dan ketekunan ibadah individual.”Kata kunci: Reality Show, Televisi, Ibadah, Kelas
KONSEP DIRI REMAJA DALAM FILM INDONESIA: ANALISIS WACANA ATAS FILM REMAJA INDONESIA TAHUN 1970-2000-AN Noviani, Ratna
Jurnal Kawistara Vol 1, No 1 (2011)
Publisher : Sekolah Pascasarjana UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (750.953 KB) | DOI: 10.22146/kawistara.3905

Abstract

Film is a system of representation, which provides information of social dynamics during the period, when the film is produced and distributed. This study is aimed to identify and reveal how teenage selfconcept is discursively constructed through film imagery and narrative in the context of Indonesian society. This study focuses particularly on the physical and psychological teenage self-concepts. The analytical Corpus is eight films for teenagers which were produced from the 1970s through the 2000s.Through the application of Norman Fairclough’s critical discourse analysis, a detailed examination of these films reveals that there are similarities, modification and differences in the way in which teenage self-concept has been constructed from decade to decade. This study also identifies that teenage self-concept has been constructed through various discourses, among other things good versus bad teenagers, role model seeking, and of teenage lifestyle.
Ruang produktif dan ruang leisure: bagian dari praktik konsumsi ruang Perpustakaan Pusat Universitas Gadjah Mada oleh pemustaka digital natives Fatmawati, Endang; Udasmoro, Wening; Noviani, Ratna
Berkala Ilmu Perpustakaan dan Informasi Vol 14, No 2 (2018): Desember
Publisher : UPT Perpustakaan Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (550.62 KB) | DOI: 10.22146/bip.34641

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Introduction. The practice of library space consumption is very important to be elaborated by using cultural and media perspective, becaus it  elaborates on the problem of why digital native users interpret of space. This article is part of a dissertation research, which describes social practices and space representation by digital native users at UGM library.Data Collection Method. It is a qualitative research with participant observation, interviews, and supporting documentation, involving six informants selected purposively. Analysis Data. Ethnographic approach is carried out by paying attention to the meaning of the actions of the events that occur in digital native users. Results & Discussions. The results showed that UGM library space was used as productive and non-productive space. As productive space means that digital native users leveraged teh space for learning or other activities related to their study. Meanwhile, non-productive space refers to space to spend their leisure activities. The result showed that digital native users in leveraging the space did not correspond to the initial function of the space. There was inconsistency with the representations of space that was originally designed by the UGM library. Digital natives had their own way of leveraging the library space.Conclusion. There are other motivation how digital native users leveraging the library space. In representational space, digital native users have their own interests. Further research should discuss more specifically in revealing reasons of space use from another theories or perspectives.
Ruang produktif dan ruang leisure: bagian dari praktik konsumsi ruang Perpustakaan Pusat Universitas Gadjah Mada oleh pemustaka digital natives Fatmawati, Endang; Udasmoro, Wening; Noviani, Ratna
Berkala Ilmu Perpustakaan dan Informasi Vol 14, No 2 (2018): Desember
Publisher : UPT Perpustakaan Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (550.62 KB) | DOI: 10.22146/bip.34641

Abstract

Introduction. The practice of library space consumption is very important to be elaborated by using cultural and media perspective, becaus it  elaborates on the problem of why digital native users interpret of space. This article is part of a dissertation research, which describes social practices and space representation by digital native users at UGM library.Data Collection Method. It is a qualitative research with participant observation, interviews, and supporting documentation, involving six informants selected purposively. Analysis Data. Ethnographic approach is carried out by paying attention to the meaning of the actions of the events that occur in digital native users. Results & Discussions. The results showed that UGM library space was used as productive and non-productive space. As productive space means that digital native users leveraged teh space for learning or other activities related to their study. Meanwhile, non-productive space refers to space to spend their leisure activities. The result showed that digital native users in leveraging the space did not correspond to the initial function of the space. There was inconsistency with the representations of space that was originally designed by the UGM library. Digital natives had their own way of leveraging the library space.Conclusion. There are other motivation how digital native users leveraging the library space. In representational space, digital native users have their own interests. Further research should discuss more specifically in revealing reasons of space use from another theories or perspectives.