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Wimbrayardi Wimbrayardi
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Published : 41 Documents
Articles

ANALISIS TARI PIRING KREASI SANGGAR SYOFYANI DALAM STUDI KASUS MUSIK IRINGAN TARI Santoso, Ahmad Teguh; Wimbrayardi, Wimbrayardi
SENDRATASIK UNP Vol 8, No 1 (2019): Seri C. September 2019
Publisher : FBS Universitas Negeri Padang

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Abstract

Abstract The purpose of this study is to describe results of the analysis of creative Piring Dance at Syofyani's studio in the Case Study of Dance Accompaniment which is viewed from the relationship of the dance movements to the music rhythm. This type of research was qualitative research with using a content analysis approach. The instrument of this research was the researcher and it was assisted by supporting instruments such as stationery, camera and laptop. The types of data used were primary and secondary data. Techniques of data collection were conducted by doing library research, observation, interviews and documentation. The steps to analyze data were done by collecting data, listening to audio recording, playing music, transcribing and analyzing scores. The result shows that music and Piring dance is made based on "Alam Takambang Takambang jadi Guru", therefore the process that is passed by imagining (visualizing) the movement of the dance , it is like stretching a shade (weaving place) then describing the movement above the shade. Music and Piring Dance are also made based on the nuance of music and dance that are presented and related in rhythmic between music and dance. Based on the rhythmic relationship between music and dance, there are several parts of music and dance that have strong accents so that it support the rhythm that is shown from music and dance from the intro section, core A and B and their variations. B rhythmic which is used in music uses more of a 2/4 with a different tempo from the beginning to the final climax. Keywords: analysis, creative Piring dance, syofyani studio, dance accompaniment music.
TEKNIK MEMAINKAN ALAT MUSIK PUPUIK BATANG PADI OLEH AZWIR RAJO BONSU DI NAGARI KOTO ANAU Suhendra, Adi; Wimbrayardi, Wimbrayardi; Syeilendra, Syeilendra
SENDRATASIK UNP Vol 2, No 3 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

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Abstract The purpose of this research was to describe and find the Techniques of playing Pupuik Batang Padi. This research was conducted by using descriptive qualitative method.The research found the Technique of playing Pupuik Batang Padi performed by Rajo Bonsu Azwir.In this technique, the air was inhealed through the nose and would produced continuos sound when Pupuik Batang Padi was blown. Furthermore, in playing the melody, the higher the instrument blown, the lowder the sound produced. And the Three level of Direction were made of resonators.   Kata kunci:  Pupuik Batang Padi, Rajo Bonsu Azwir.
PROSES PEWARISAN TALE HAJI DALAM MASYARAKAT DESA KOTO MAJIDIN KECAMATAN AIR HANGAT KABUPATEN KERINCI Hayatunnufus, Syaiful; Syeilendra, Syeilendra; Wimbrayardi, Wimbrayardi
SENDRATASIK UNP Vol 2, No 1 (2013): Seri D
Publisher : FBS Universitas Negeri Padang

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Abstract   This research describes the endowment process of ?Tale Haji? in the society of Desa Koto MajidinKecamatan Air Hangat Kabupaten Kerinci. The design of this research was the qualitative research by using the descriptive approach. The data were collected from literature reviews, observation, interview, and documentations. The data collected were then classified and analyzed by separating the primary data from the secondary. The findings of this research showed that the endowment process of ?Tale Haji? was done in two forms of educations; the informal and the non formal. In the informal, the endowment process was done through families and the environment. Meanwhile, the non formal was done through an institution called as ?Pusat Kegiatan Belajar Masyarakat? (PKBM) Koto Majidin. Kata Kunci: Tale Haji, Proses Pewarisan, Koto Majidin.
PEMBELAJARAN BERNYANYI SECARA UNISONO DI KELAS VII.1 UPT SMPN 1 KOTO XI TARUSAN Sopati, Veni Apri; Hadi, Harisnal; Wimbrayardi, Wimbrayardi
SENDRATASIK UNP Vol 7, No 2 (2018): Seri A. Desember 2018
Publisher : FBS Universitas Negeri Padang

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Abstract

Abstract This article aims to describe the singing learning of Unisono in UPT SMP N 1 Koto XI Tarusan. The type of this study is qualitative with descriptive approach. The location of the study is in UPT SMP N 1 Koto XI Tarusan. Technique of collecting data is done by using observation, interview and documentation. Technique of data analisis consist of 1) data reduction, 2) data presentation and 3) drawing a conclusion. Result of the study explains that the singing learning of Unisono is done by using three steps; they are planning, implementation and evaluation. In planning step, teachers prepare learning device that are the learning implementation plan and the learning syllabus. In implementation step, the singing learning of Unisono is done in four meetings with preliminary activity, main activity and closing activity. Evaluation step is done to measure the success of students in singing learning of Unisono by doing research on the criteria of research, namely intonation, articulation, rhythm and compactness. Keywords: Singing, Unisono
BENTUK PENYAJIAN REOG PONOROGO DALAM ACARA TUJUH BELAS AGUSTUS DI DESA PARIT I/II KECAMATAN SUNGAI APIT KABUPATEN SIAK RIAU Rhodiya, Rhodiya; Syeilendra, Syeilendra; Wimbrayardi, Wimbrayardi
SENDRATASIK UNP Vol 2, No 1 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

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Abstract

Abstract The purpose of this research was to describe the form of Reog Ponorogo in Tujuh Belas Agustus event in Desa Parit I/II Kecamatan Sungai Apit Kabupaten Siak Riau. The researcher did a field observation when the show was held in the afternoon. There were 8 people involved in the show, 6 people as the instrument players, 1 person as the singo barong player and I person as the topeng bujang player. The properties used were barongan dadak merak, kuda kepang, topeng bujang ganong. The music instruments were the gamelan such as kenong, gong, ketipung, kendang, slomfret. As the gamelan goes wilder, the singo barong will be more active in doing some attractions.   Kata kunci : Bentuk, Penyajian, Reog, Ponorogo,Sidodadi
STIMUL OF TRADITION Rahim, Abdul; Wimbrayardi, Wimbrayardi; Putra, Irdhan Epria Darma
SENDRATASIK UNP Vol 5, No 1 (2016): Seri A
Publisher : FBS Universitas Negeri Padang

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Abstract

Sijobang Art formerly acted as an introduction to Kaba ( news ) , stories and information presented in an art show . Media used in the performing arts is sijobang flick lighters in a manner that serves as a regulator of the rhythm . Music is not only an audio work is in production with a musical instrument that is in production . Even though a match can be a medium of entertainment for the people but as the development of the arts basijobang start using media kucapi   ( lute ) . work " Stimul Of Tradition" is born from the color matches and harp sound that is processed into a musical composition and packaged in different ways .
UPAYA PELESTARIAN MUSIK TALEMPONG PACIK DI KECAMATAN KOTO XI TARUSAN KABUPATEN PESISIR SELATAN Wuri, Jeni Martha; Wimbrayardi, Wimbrayardi; Marzam, Marzam
SENDRATASIK UNP Vol 4, No 1 (2015): SERI A
Publisher : FBS Universitas Negeri Padang

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Abstract

Abtract This research was conducted to reveal and describe the efforts done to preserve Talempong Pacik traditional art in Koto XI Tarusan Kabupaten Pesisir Selatan. The object of the research was Talempong Pacik traditional art in Koto XI Tarusan. Talempong Pacik was chosen as the object of the research as this traditional art is almost exinct. This was a qualitatif research. The data were gathered through interview, obsevation and documentation. The instrument of the research was the reseacher herself as the key instrument. The data were selected, presented and verified. The result of the research indicated that there were some efforts were done by the people in Koto XI Tarusan to preserve Talempong Pacik. The efforts were done by establishing an art group, recruiting new members, and carring out regular training once a week in Koto XI Tarusan Kabupaten Pesisir Selatan. Keywords: Pelestarian, Talempong Pacik.
KEBERADAAN KESENIAN RABAB BADOI SEBUAH PENDEKATAN PENGGUNAAN DAN FUNGSI BAGI MASYARAKAT JORONG PAMATANG ANJUNG DI NAGARI MUARO KABUPATEN SIJUNJUNG Alfahrus, Muhammad; Wimbrayardi, Wimbrayardi
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

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Abstract The purpose of Rabab Badoi art study is to describe the existence of Rabab Badoi in the jorong Pamatang Anjung community, Nagari Muaro, Sijunjung Regency. This type of study was qualitative with using descriptive method that was to provide clearly about the object under study. The main instrument in this study was the researcher and it was assisted by using camera, stationery and interview lists. Techniques of data management were done by analyzing, classifying primary and secondary data and then compiling them systematically. The result of this study is the existence of Rabab Badoi Art in the terms of theirs use and function in jorong Pamatang Anjung, Nagari Muaro, Sijunjung Regency. Based on the aspect of the use, Rabab Badoi Art is played on the elevation of Pangulu, Bakau and Request of the Local Government. The functions of Rabab Badoi art were as emotional expression, communication, entertainment, community continuity.Keywords: existence, use, function, Rabab Badoi art
DOAK DINDIN Mutia, Cut; Wimbrayardi, Wimbrayardi; Lumbantaoruan, Jagar
SENDRATASIK UNP Vol 7, No 1 (2018): Seri F. September 2018
Publisher : FBS Universitas Negeri Padang

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Abstract

Abstract Eliciting and giving appreciation to society especially among the students toward traditional music, the lack of insight of educators in educational institutions makes students less knowledge about their traditional culture. The artist was interested in working a music project that based on talempong pacik learning in non public school art into the form of music school composition. The school of music is a music that is played by the students together in school and contains the education values. If it is seen from the level of difficulty, the artist provided material to be played which was match to the ability possessed by students of the school. It encouraged the artist to explore Cak Dindin song,  working on rhythm and melody in talempong pacikgua cak dindin into an art work form of creative music composition entitle Doak Dindin inspired by one of the repertoires of talempong pacik born in Minangkabau into some elements and techniques of farming out music that exists on the theory of Western music like unisono, interloking, proposta, riposta, singkopasi as well as using major and minor tones and the presence of diminusi and augmentation of the tone. This art work was played by the 8 players of musical instruments, namely talempong dasar, talempong paningkah, talempong anak, talempong rea, gandang tambua, sarunai, guitar, rapa'i and cymbals. Keywords: talempong, schools, cultural arts, composition
ANALISIS TARI PIRING KREASI SANGGAR SYOFYANI DALAM STUDI KASUS MUSIK IRINGAN TARI Santoso, Ahmad Teguh; Wimbrayardi, Wimbrayardi
SENDRATASIK UNP Vol 8, No 1 (2019): Seri A. September 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (744.79 KB)

Abstract

Abstract The purpose of this study is to describe results of the analysis of creative Piring Dance at Syofyani's studio in the Case Study of Dance Accompaniment which is viewed from the relationship of the dance movements to the music rhythm. This type of research was qualitative research with using a content analysis approach. The instrument of this research was the researcher and it was assisted by supporting instruments such as stationery, camera and laptop. The types of data used were primary and secondary data. Techniques of data collection were conducted by doing library research, observation, interviews and documentation. The steps to analyze data were done by collecting data, listening to audio recording, playing music, transcribing and analyzing scores. The result shows that music and Piring dance is made based on "Alam Takambang Takambang jadi Guru", therefore the process that is passed by imagining (visualizing) the movement of the dance , it is like stretching a shade (weaving place) then describing the movement above the shade. Music and Piring Dance are also made based on the nuance of music and dance that are presented and related in rhythmic between music and dance. Based on the rhythmic relationship between music and dance, there are several parts of music and dance that have strong accents so that it support the rhythm that is shown from music and dance from the intro section, core A and B and their variations. B rhythmic which is used in music uses more of a 2/4 with a different tempo from the beginning to the final climax. Keywords: analysis, creative Piring dance, syofyani studio, dance accompaniment music.