Sumaryanto Florentinus, Totok
Educational Management

Published : 4 Documents
Articles

Found 3 Documents
Search
Journal : Catharsis

Social Action in Tongkling Performing ART Winata, Dean Arda; Utomo, Udi; Sumaryanto Florentinus, Totok
Catharsis Vol 8 No 1 (2019): June 2019
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.29699

Abstract

Tongkling is a traditional music from Glodogan village, Bawen District, Semarang Regency. Tongkling is always invited to take part in Merti Dusun and Kirab Budaya events in Semarang regency. The purpose of this research is to analyze  the form of performance and social action in Tongkling art. The method used in this research was qualitative with sociological approach. The technique of data collection were observation, interview, and document study. The technique of data validity used triangulation technique and data analysis technique that follow interactive model analysis stages. The research results show that the form of Tongkling art presentation are divided into traditional and electric types. The traditional types is presented during carnival while electric types is presented on the stage. The social action of the society is also developing, the beginning was for patrolling, and nowadays, this art is for enliven Kirab Budaya and Merti Dusun evenst in Semarang Regency. The research implication of Tongkling Ortega for the society in Glodogan village is for social interaction and for preserving the existence of Tongkling in traditional events. Tongkling  Ortega art increases the art treasury in Semarang Regency.
Timang Cenggok Song in Tanjungbalai City : Character Value Analysis and Music Composition Ningsih, Maya; Triyanto, Triyanto; Sumaryanto Florentinus, Totok
Catharsis Vol 8 No 1 (2019): June 2019
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i1.30954

Abstract

Timang Cenggok song is a traditional song that is developed in Tanjungbalai City society, this song is usually sung when the mother is going to put the child to sleep. The lyrics in Timang Cenggok song that is sung by a mother for her child aims to give character education. This study aims to examine the character values ​​contained in the Timang Cenggok song and the musical aspects of the Timang Cenggok song. The location of the research is Tanjungbalai City, North Sumatra Province. Data collection techniques are observation, interview, and document study. The data validity technique uses source triangulation. The data analysis technique uses descriptive analysis. The results of this study are the Timang Cenggok song contains the character value that aims to build the child's personality into a religious person, has a good moral and be able to socialize in the community. Timang Cenggok song has musical aspects in the form of melodies with varying intervals, different rhythm patterns between one bar and the other bar, and the harmony that can be written based on chords using music theory. This research can broaden the perspective of the reader about Timang Cenggok song and provide information about the description of Timang Cenggok song which contains the character values and knowledge of the music composition of Timang Cenggok song.
The Aesthetics of Padendang Dance at Mappadendang Traditional Ceremony of Bugis Society in Soppeng Regency yayu, yusrianti yayu; Jazuli, M.; Sumaryanto Florentinus, Totok
Catharsis Vol 8 No 1 (2019): June 2019
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i1.31282

Abstract

Mappadendang traditional ceremony is a traditional ceremony that is held every year by Bugis society as an expression of gratitude for the abundance of the results of the crop. This traditional ceremony is usually combined with the Padendang dance, which is a traditional dance of the Bugis people, especially in Abbanuangnge Village, Soppeng Regency. It is derived from the word "Pa" which means the actor, "dendang" which means rhythm. Besides as a series of Mappadendang traditional ceremonies, this dance also functions as entertainment. The uniqueness of this dance lies in its attractive movements using properties called as rice pestle (stick). Besides that, it was supported by the sound of the collapsed pestle carried out by the mothers and accompanied by drum instruments. The purpose of this study is to analyze the aesthetics of Padendang dance at Mappadendang traditional ceremony of the Bugis society in Soppeng Regency. The method used in this study is a qualitative method. Data collection techniques are observation, interview and document study. The data validity technique uses triangulation techniques and data analysis techniques that follow the stages of interactive model analysis. The results of the Padendang dance research are three parts of the movement: the beginning of the movement, mappakaraja, the main part of the movement, Sere Padendang, the harvest and the final part mappatabe’ movement. The aesthetic findings of Padendang dance there are three aesthetic elements that exist in the Padendang dance, namely the shape / form of motion of the Padendang dance, the quality / content / message conveyed in the Padendang dance, and the performance / talent or skill possessed by the dancers.