cover
Contact Name
Arif Abadi, S.Kom.
Contact Email
penerbitan@isbi.ac.id
Phone
-
Journal Mail Official
penerbitan@isbi.ac.id
Editorial Address
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Location
Kota bandung,
Jawa barat
INDONESIA
Panggung
ISSN : -     EISSN : 25023640     DOI : -
Core Subject : Education,
Panggung is online peer-review journal focusing on studies and researches in the areas related to performing arts and culture studies with various perspectives. The journal invites scholars, researchers, and students to contribute the result of their studies and researches in those areas mentioned above related to arts and culture in Indonesia and Southeast Asia in different perspectives.
Arjuna Subject : -
Articles 18 Documents
Search results for , issue " Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni" : 18 Documents clear
Implementasi Konsep Langendriya Mandraswara terhadap Seniman Muda Haryono, Sutarno
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.38

Abstract

Culture, especially the arts of the palace, is understood to be court arts full of symbols and com- plexity, representing the philosophy of the king with high values and meaning. Langendriya Man- draswara first appeared in the Mangkunegaran, during the reign of Mangkunegara IV (1853-1881), integrating verbal and non-verbal components, with effective, communicative, expressive, and aes- thetic meaning. The spirit of Langendriya Mandraswara is a source of inspiration for young artists. Keywords: Langendriya Mandraswara concept, Verbal and non-verbal Language.
Keser bojong: Idealisasi Pencitraan Jaipongan Karya Gugum Gumbira Mulyadi, Edi; Ramlan, Lalan
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.34

Abstract

Gugum Gumbira’s Jaipongan as a dance genre has been more than ten repertoires, among oth- ers, are: Keser Bojong, Rendeng Bojong, Toka-Toka, Iring-Iring Daun Puring, Setra Sari, Senggot, Sonteng, Ringkang Gumiwang, Pencug Bojong, Rawayan, Kawung Anten, etc. However, among those works, Gugum Gumbira states his Keser Bojong’s dance repertoire as having the most ideal image. The question is, what aspects build that ideal image? Clearly, this is related to various value dimensions attributed to that dance repertoire. To discuss this issue, the writers use Richard E. Palmer’s Hermeneutics as interpretation system to reveal the “hidden” meaning beyond the texts (1969: 16-31). The scope of discussion covers dimension of concept and dance construction as well as other artistic devices. Keywords: Jaipongan, Keser Bojong, Image, Gugum Gumbira. 
Pergeseran Fungsi dan Bentuk Ronggeng di Jawa Barat Sujana, Anis
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.39

Abstract

Generally the term ronggeng is used to call female performer, ‘being paid’, and is usually i- maged badly. However, in the other side, ronggeng also performs in fecundity rituals and becomes the source of blessing. It can be seen here that ronggeng has double function and role.This writing is aimed at seeking for functions and types of ronggeng arts in western Java. The result shows that in many cases socio-culturally ronggeng is on profane functions, that is, as enter- tainers. Related to their performance techniques, there are several functions: 1) as audience partners in social intercourse dance; 2) as actors in some traditional theatres; 3) as dance performers and‘single’ singer as well as jester; 3) as song performers (sinden) in wooden puppet; 5) as performers in magic performance; and 6) as performers in helaran performance. On the other side, ronggeng also has sacred function, that is as the rites performers, especially on fecundity ones; in this case, ronggeng has ambiguous functions, that is as rites performers in one side, and on the other side as entertainers. Keywords: ronggeng, function and type, entertainment, rites.
Tari Wayang Karakter Satria Ladak Sumiati, Lilis
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.35

Abstract

Wayang dance is a dance expressing events in the stories of wayang. The events here among oth- ers are dances revealing the background of the story, theme, the name of the dance, characters, and philosophical elements. Of those various elements, the scope in this study is limited into matters of satria ladak character.Wayang dance satria ladak character living in several areas contains some significant differences in several aspects. The term differing the specialty of wayang dance is called sejak. The scope of se- jak is more for one’s style in dancing dance genre from the same ethnic. Therefore, the term sejak is firstly come out when seeing one’s performance in dancing, either referred to her/his choreography or to her/his specialty in performing the dance. Then, sejak owned by the individual is spread among his/her surrounding, so that it can be an icon in respective areas.The quantity of Wayang dance satria ladak is varied in each areas, such as sejak Sumedang is Dipati Karna dance. While Sejak Garut is Bambang Somantri dance, and sejak Bandung is Arayana dance. These materials are chosen as samples for comparative and interpretative study.Keywords: Wayang Dance, Satria Ladak, Sejak, comparative, interpretative.  
Pemuliaan Angklung melalui Model Desa Binaan Berbasis Wisata Seni dan Budaya Masunah, Juju
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.31

Abstract

Angklung has been awarded by UNESCO as one of the intangible world heritages from Indone- sia. One of the angklung preservation methods is through community based education. This article describes the result of research and community service activities to explore a model of community empowerment based on art and culture that uses Sundanese angklung instruments and local tradi- tional performing arts to attract tourism in Ciater Village, Subang. This research used a participato- ry action research method where researchers participate actively along with the community to create a touristic event involving art and culture. The findings of this research present that to empower a community using art and culture as an event for a tourist destination occurs by a collaborative work between local community, intelectuals, and bussiness. The community of Ciater village presented their innovation and creativity with Sundanese angklung music and local traditional performing arts in order to serve seventy tourists (artists) from Southeast Asia and Europe on October 7, 2011 for the first time. Keywords: Sundanese angklung, tourism of culture, Ciater Village.
Pathêt: Ruang Bunyi dalam Karawitan Gaya Yogyakarta Budi Prasetya, Hanggar
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.36

Abstract

This research aims to answer a question of why two Javanese gamelan pieces (gending) of differ- ent pathêt (modes) cannot be performed consecutively without grambyangan lead. The data of this research were obtained from in-depth interview and observation of karawitan (gamelan performanc- es), focusing on karawitan training process, wayang performances, and karawitan performances for pleasure or uyon-uyon. Using phenomenology method, it can be concluded that pathêt is a space of sound. Two gamelan pieces having different modes are similar to two gamelan pieces in different spaces. There is a link between spaces that can be opened by the sound of gender or grambyangan. As a space, karawitan has three spaces of sound, i.e. space of pathêt nem, space of pathêt sanga, and space of pathêt manyura. Keywords: gending, pathêt, ruang bunyi, karawitan Jawa.
Visualisasi Iklan Media Cetak KPK sejak Masa Berdiri hingga ‘Serangan Koruptor’ Yuliansyah, Hendy
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.32

Abstract

Corruption is every nation’s problem in all over the world, including Indonesia. Classified as an extraordinary crime, Komisi Pemberantasan Korupsi (KPK) were established to eradicate it. In order to implement its tasks, it campaignes in several kind of media including printed advertisement. At first of its establishment, KPK was ambitiously active to prevent and crack corruption to whole com- munity level including the state officials. However, when KPK was criminalized, and lizard against alligator, public opinions stated that it was a counter attack from the corruptors. This condition has affected its printed advertisement, which was designed and produced by itself. The research shows that its visualization has been changed, from its first editions up to the corruptor’s attack phase. The changes included message, color, illustration and typhography. Keywords: visualization, advertisement, mass media, KPK.  
Memahami Makna dan Tanda dalam Objek Visual Arsitektur Ruang Publik Y. Ramadin, Tendy; Mulyana, Deddy
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.37

Abstract

This brief study focuses on proxemic study approach for public spaces which brushed the reflec- tion of aspiration and collaboration of the artists, designers and their public as phenomenon on the spirit of today (zeitgeist). The study also reads the environmental effect on people’s habitude and its surroundings.The study is intended to obtain facts about objects on public spaces ever-evolved, e.g. Cihampelas Avenue Bandung, to identify recent problems and practices implied on tendency of using visual sign as allure. It is also intended to compile ideas about visual signs through relevant proxemic study approach, so that it could be processed into temporary conclusion to advice entrepreneurs, local au- thorities, academics and commoners.Keywords: public space, architecture, visual signs, communication science, proxemic approach  
Dampak Akulturasi Budaya pada Kesenian Rakyat Soemaryatmi, Soemaryatmi
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.33

Abstract

The sub district of Selo lies between the slope of Merapi and Merbabu mountains. It has several arts which are still developing because of the support from the surrounding societies. Folk arts in Selo have been performed in second and forth weeks since 2008 in the Hall of Tourism Office, Selo sub district. Some of the dance forms have come to acculturation, for example, dances of Campur Bawur, Suro Indeng, Buditani and Prajuritan. Folk arts become a media for conveying feeling and thinking coming from the artist along with the supporting society. Involvemen of the arts in ritual as well as non ritual events shows that the arts have important role in the society’s life.The dances of Campur Bawur and Prajuritan  as the media of expression have been performed in onther areas such as Surakarta for the sake of appreciation and entertainment. Arts performance also represents the society’s legitimacy or belief of the dead spirit. The dead spirit as the embryo of human being and the societies is considered to be able to protect and give safety to the socienty. As an entertainment, the form of its movement is simple and the accompaniment is dynamic. Every per- formance is mostly affected by situation of the society.  The forms of make up, costums, movements, and accompaniment have mixed with moern performance. Keywords: folk dance, aculturation, entertainment.
Tari Wayang Karakter Satria Ladak Sumiati, Lilis
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (384.103 KB) | DOI: 10.26742/panggung.v22i1.35

Abstract

Wayang dance is a dance expressing events in the stories of wayang. The events here among oth- ers are dances revealing the background of the story, theme, the name of the dance, characters, and philosophical elements. Of those various elements, the scope in this study is limited into matters of satria ladak character.Wayang dance satria ladak character living in several areas contains some significant differences in several aspects. The term differing the specialty of wayang dance is called sejak. The scope of se- jak is more for one’s style in dancing dance genre from the same ethnic. Therefore, the term sejak is firstly come out when seeing one’s performance in dancing, either referred to her/his choreography or to her/his specialty in performing the dance. Then, sejak owned by the individual is spread among his/her surrounding, so that it can be an icon in respective areas.The quantity of Wayang dance satria ladak is varied in each areas, such as sejak Sumedang is Dipati Karna dance. While Sejak Garut is Bambang Somantri dance, and sejak Bandung is Arayana dance. These materials are chosen as samples for comparative and interpretative study.Keywords: Wayang Dance, Satria Ladak, Sejak, comparative, interpretative.  

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