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Contact Name
Putra Afriadi
Contact Email
putraafriadi12@gmail.com
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Journal Mail Official
hartono_sukorejo@yahoo.co.id
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Location
Kota semarang,
Jawa tengah
INDONESIA
Catharsis
ISSN : 25024531     EISSN : 25024531     DOI : -
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
Arjuna Subject : -
Articles 194 Documents
THE CREATIVITY OF BEDHAYA TUNGGAL JIWA DANCE CREATION IN GREBEG BESAR CEREMONY IN DEMAK REGENCY Setyaningrum, Ikha Sulis; Cahyono, Agus; Triyanto, Triyanto
Catharsis Vol 8 No 1 (2019): August 2019
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.29294

Abstract

Bedhaya Tunggal Jiwa dance presents in the Islamic dimension and gives a new nuance to a ceremony in Demak regency. This dance has different package from Bedaya dance in Kraton because it is adjusted to area and Demak society. The purpose of this research is to analyse how the the creativity of the creation of Bedhaya Tunggal Jiwa dance in Demak Regency. The method used was qualitative with ethnochoreology, Anthropology of Arts, and Sociology of Arts. The research data was collected by the technique of observation, interview, and document study. The technique of data validity used source triangulation. The data analysis technique that was used data reduction, data presentation and conclusion was done by  describing the dance, understanding the the performance components, and doing interpretation. The results of the research were that the creator made a work through some steps, they are exploration, improvisation, evaluation, composition, and supported by creative factors, such as environment, facilities, skills, identity, originality, and appreciation.
THE REVITALIZATION OF GARAPAN OF JEMBLUNG A TRADITIONAL ART PRESERVED IN BLAKASUTA STUDIO IN BANYUMAS REGENCY Pangestika, Nurratri Widya; Wadiyo, Wadiyo; Rokhmat, Nur
Catharsis Vol 8 No 1 (2019): August 2019
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28833

Abstract

Jemblung is a traditional arts developed in Banyumas regency. Modernization has made the society have less interest in preserving the tradition. Hence, this research aims to analyze the revitalization of Jemblung by Blakasuta studio in Banyumas regency. The researcher employed qualitative interpretative method along with interdisciplinary approach for this research. The discipline of this research mainly concerns on ethnomusicology. The collection for the research data consist of observation, interview, and documentation. The validation of the data was through source triangulation. The analysis for the finding started from data collection, reduction, clarification, conclusion, and selective interpretation. The findings showed that the revitalization of Jemblung covers the ideas, materials, creators, facilities, consideration, reconstruction, refunctionalization, reformation, representation, reinterpretation, and reorientation. This research implies that the revitalization of Jemblung is a form of appreciation of traditional arts by Blakasuta studio. The studio continuously holds traditional arts preservation to minimize the effect of modernization. It is a challenge for the studio and the appreciators to consistently promote and perform traditional arts in a more creative way amongst Banyumas community.
THE VALUE OF SRIKANDI MUSTAKAWENI ACT IN WAYANG WONG BOCAH TJIPTA BOEDAJA RESIDENCE MAGELANG Amsari, Uli; Cahyono, Agus; Hartono, Hartono
Catharsis Vol 8 No 1 (2019): August 2019
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28462

Abstract

Wayang Wong Bocah in Tjipta Boedaja Residence is one of the performing arts filled with value and relevant to be inculcated for children. Wayang Wong Bocah is performed by children. The purpose of this research is to analyze and describe the inculcation of value through Wayang Wong Bocah performance with Srikandi Mustakaweni act. Qualitative method with ethno-choreology and arts education approaches were used in this research. The data were collected through observation, interview, and documentary study. The data were validated using investigators triangulation technique, and analyzed by discribing, discreening, interpreting, and evaluating. The result shows that inculcation of value for children can be done through plot and model performed by children. Plot helps them to learn about good or bad, while model helps them distinguish an exemplary behavior as shown by Srikandi who was responsible, and not exemplary behavior as shown by Mustakaweni who was dishonest. The values that appear in the story such as honesty, responsibility, curiosity, patriotism, peacefulness, and hard-work. It is concluded that those values can be the guidelines about good or bad for children. Those values are expected to be implemented in daily basis.
THE VISUAL INTELLIGENCE OF PSGCC GIFTED CHILD COMMUNITY AT YOGYAKARTA Ardiyawan, Ardiyawan; Syarif, Muh Ibnan; Triyanto, Triyanto
Catharsis Vol 7 No 3 (2018): October 2018
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28443

Abstract

In art education, through psychological perspective, the intellectuality of a gifted child is a possible influence to the projected expression in their drawing. Children?s intelligence allows them to freely visualize their creativity on the canvas. In this context, this research aims to analyse ?The Visual Intelligence of PSGCC Gifted Child Community at Yogyakarta?. The research employed qualitative methods and utilized case study design. The data of the research were from observation, interview, and documentation. Further, the researcher conducted triangulation of sources and data to validate the findings. The analysis of the data was through the sequence of data reduction, presentation, and verification. The findings of the research showed that the gifted children in the PSGCC community had the tendency of possessing visual intelligence with some details to discuss. First, the existence of the visual intelligence of the gifted children from PSGCC community shows that the children have the sensitivity to visual elements (lines, colours, shapes, and spaces); that is to say, the children are able to compose the element and visual principle in accordance with their behalf. Second, the visual intelligence of the children is visible from the way they identify an object to paint, starting from describing the position of the object, identify the part of the object, and recognize the characteristic of the object. Third, the visual intelligence from the children portrays that the children?s ability to comprehend and portray a dimension of an object as well as its surrounding. The researchers expect that this research gives an implication to become a reference for parents, teachers, and children community?s liaisons to observe and acknowledge the intelligence of children through their paintings.
THE CHANGE OF FORMS AND THE VALUE OF THE DANCE PERFORMANCE OF BARONGAN RISANG GUNTUR SETO Guntaris, Endik; Cahyono, Agus; Utomo, Udi
Catharsis Vol 8 No 1 (2019): August 2019
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.27898

Abstract

Barongan Risang Guntur Seto dance is one of dances that has experienced a changing of form from spontaneous to organized performance since 2016. The management and the change done by Barongan Risang Guntur Seto artists have altered the simple values of traditional performing art to be a glamorous values or it is called gebyarby Blora people. The purpose of this research is to analyze and to describe the change of form and value of Barongan Risang Guntur Seto dance.Theoretically, this research used qualitative method with interdisciplinary approach of science, they are ethnochoreology and Arts Sociology. The technique of data collection was done by observation, interview and document study. The data validity checking used source triangulation. The data analysis was done by data reduction, data presentation, and conclusion. The results show that the chane of form and value of Barongan Risang Guntur Seto dance performance involves movement, music, property, stage, and lighting. The suggestion for artists of Barongan Risang Guntur Seto dance is to always active in renewing the dance in accordance to the era and to always be consistent in emphasizing the simplicity and family values as an identity of Blora people.
Adaptability of Performing Literature Speech Tadut Artist in Facing Social Change of Peoples Life Besemah Pagaralam Sabillah, Masayu Selly; Triyanto, Triyanto; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19282

Abstract

Tadut speech literature is a literary speech that developed in Besemah Pagaralam which is used as a medium for dissemination and learning of Islam in the recitation and death because his poems are able to remind people of Allah swt.. Problems reviewed ini this research, (1) How to show literature Tadut speech in the community culture of Besemah Pagaralam (2) What values of local wisdom are expressed in Taduts literature, (3) How does the adaptation of the literary performers of Taduts literary works defend the language of the Tadut literature his artistry in the social change of life of the people of Besemah Pagaralam. This research uses interdisciplinary approach that is the science of cultural anthropology, sociology and art education. The type of research method used is qualitative with case study design. Data is collected by observation techniques, interviews and document material collection. The results show, first, in the present day Tadut literature is shown in government events, race events, public events and even wedding ceremony. Second, the values of local wisdom expressed in Tadut literature are religious values, moral values, educational values, customs values. Third, adaptability done by Tadut literary artists through the mechanism of cultural collaboration is able to maintain its existence in social change.
Bundengan : Between Aesthetics Expressivism, Social of Reality, and Perfomance Studies Arbi, Bahtiar; Sumaryanto F, Totok; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19287

Abstract

Bundengan is a transformation of kowangan or tudhung, which is a kind of head cover made of bamboo blades, clumpring, and rope fibers. This kowangan used to be used by duck herders to take shelter or shelter from the rain and the sun. The purpose of this study is to analyze: (1) The form of bundengan art performances; (2) Social reality that occurs in society; And (3) The aesthetic expression of artists bundengan with the flow of expressiveness. This research uses qualitative method with data collection technique of interview, observation and document study. The data validity technique is based on the credibility criteria, using triangulation of data. Data analysis techniques used are data collection, data presentation, data reduction, and data verification. The results show bundengan can replicate gamelan sounds such as bendhe, kempul, gong, and kendang applied in the pattern of the game, accompanying Lengger dance. There are three moments of dialectics in the social reality of externalization, objectivation, and internalization. Artists bundengan embrace the flow of aesthetic expressiveness art is not as a craft, magical, representation, and entertainment. The art of bundengan maintained its authenticity, and developed and disseminated.
THE ART OF DABUS INDRAGIRI IN RANTAU MAPESAI AS A MEDIUM TO BUILD CHARACTER Wijaya, Dhimayu Ichtiara; Triyanto, Triyanto
Catharsis Vol 7 No 1 (2018): June 2018
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23082

Abstract

The art of Dabus Indragiri is an art which shows the body?s resistance to sharp objects by performing dance and Berzanji music accompaniment. Rarely is the art of Dabus Indragiri performed in Rantau Mapesai nowadays. However, there is an awareness from artists to preserve this art because it has values to build character. Based on the above information, this research was to study the values of character which were contained in the art of Dabus Indragiri. The Method used was qualitative. The research was located in Rantau Mapesai, Indragiri Hulu Regency. The data were gathered by doing observation, interview, document study. The technique of data validity used sources trangulation. The technique of data analysis used descriptive analysis. The results stated that  the character values in Dabus Indragiri are; (1) religious, (2) like to read, (3) responsible, (4) social care (5) creative, (6) having spirit of nationality, (7) love the homeland, (8) hard work, (9) independent (10) care of environment, (11) friendly or communicative. According to the results, we can conclude that the art of Dabus Indragiri can build character.
SYAROFAL ANAM: FUNGSIONALISME STRUKTURAL PADA SANGGAR AN-NAJJAM KOTA PALEMBANG Lontoh, Willy; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 5 No 2 (2016)
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Abstract

Syarofal Anam pada dasarnya adalah penyajian vokal salawatan atau puji-pujian kepada Allah dan Nabi Muhammad SAW yang disertai dengan permainan alat musik terbangan dan dalam penyajiannya ketiga elemen ini (vokal, alat musik terbangan dan Rodat) saling berkaitan. Permasalahan pada penelitian ini terkait dengan bagaimana fungsionalisme struktural Syarofal Anam yang ada pada Sanggar An-Najjam Kota Palembang. Pendekatan yang diterapkan penelitian ini adalah interdisplin, yang melibatkan disiplin ilmu sosiologi dan musikologi. Metode yang digunakan adalah kualitatif. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, dan studi dokumen. Teknik keabsahan data secara utama menggunakan triangulasi sumber. Teknik analisis data yang digunakan adalah analisis isi dan analisis data interaktif. Hasil penelitian menunjukkan, Syarofal Anam pada Sanggar An-Najjam dan masyarakat Palembang saling fungsional yang masing-masing mempunyai harapan demi keberlangsungan Syarofal Anam. Syarofal Anam menjadi kebutuhan estetik yang fungsional bagi masyarakat Kota Palembang.
KEBUTUHAN PELATIHAN MANAJEMEN PEMBELAJARAN SENI TARI BERBASIS PENDEKATAN SAINTIFIK PADA GURU SEKOLAH DASAR -, Wahira
Catharsis Vol 3 No 2 (2014)
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Abstract

Pembelajaran seni tari  khususnya pada penanaman nilai kearifan lokal masih memerlukan penanganan yang lebih baik  agar sasaran semakin mudah dicapai pada akhirnya  pendidikan nilai kearifan lokal menjadi sistem yang semakin fleksibel. Lembaga sekolah agar menata manajemen pendidikan nilai budaya, dan  guru sekolah dasar yang tidak berlatar belakang bakat seni agar berminat untuk mengikuti pelatihan pembelajaran seni tari berbasis saintifik, yang berhubungan dengan strategi manajemen pendidikan nilai budaya daerah setempat yang melibatkan seluruh pendidik yang dicamtumkan dalam kurikulum 2013. Implementasi pendidikan seni tari di sekolah dasar belum efektif, sistem kerja yang menggunakan manajemen partisipatif belum optimal, karena upaya motivasi sekolah terhadap para pendidik masih rendah. Kepengawasan yang dilakukan dengan memantau, mengamati, mensupervisi, mengkomunikasi, dan melalui laporan serta evaluasi belum maksimal, sehingga sikap dan perilaku peserta didik belum semuanya mencerminkan nilai-nilai lokal dan nilai spiritual secara utuh. Mata pelajaran Seni Budaya dan Prakarya bertujuan agar peserta didik memiliki kemampuan sebagai berikut. (1) Memahami konsep dan pentingnya seni budaya dan keterampilan; (2) Menampilkan sikap apresiasi terhadap seni budaya dan keterampilan; (3) Menampilkan kreativitas melalui seni budaya dan keterampilan; (4) Menampilkan peran serta dalam seni budaya dan keterampilan dalam tingkat lokal, regional, maupun global.

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