Setijowati, Adi
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HIBRIDITAS IDENTITAS ORANG-ORANG TIONGHOA PERANAKAN DALAM TEKS DAN PRAKTIK SILANG BUDAYA Setijowati, Adi
LITERASI: Indonesian Journal of Humanities Vol 2 No 1 (2012)
Publisher : Faculty of Humanities, Jember University

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Abstract

Two literary texts written by Chinese peranakan (Indonesia­born Chinese) describe how the Chinese try to survive in Indonesia. They need a flexibility that is reflected in the use of language, literary genre, and their philosophy connected with the social environment where they live. The Dutch colonial government and the New Order treat them ambivalently. The legacy find its form of replacing Chinese names with Indonesian ones in order to get the national identity. They are inclusive to protect themselves from violence. Initially, it was safer to use neutral western names. Until now the Chinese peranakan tend to idolize Western, but at the same time doing cross cultural breeding through birth, marriage, and death rites. Most of them adopt middle­eastern religion, despite also performing traditional Chinese, Javanese and western rites. Hybrid practices are no longer in the form of dialect because they come from a variety of cultural identities leading to a multicultural spirit that awakens them from ethnic sentiment.Keywords: Cina, ethnicity, hybridity, identity, peranakan
Confessing Love to the Nation: Audrey Yu Jia Hui’s Works and Identity Reconstruction Adji, Alberta Natasia; Arimbi, Diah Ariani; Setijowati, Adi; Wulan, Nur; Karnanta, Kukuh Yudha
JAS (Journal of ASEAN Studies) Vol. 6 No. 1 (2018): Journal of ASEAN Studies
Publisher : Centre for Business and Diplomatic Studies (CBDS) Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/jas.v6i1.4819

Abstract

 This article addressed identity reconstruction through an analysis of two of the most prominent fictional works by one of the Chinese Indonesian young writers, Audrey Yu Jia Hui. In encompassing the idea of identity rewriting, I addressed Hui’s second and third novels respectively, Mellow Yellow Drama (2014) and Mencari Sila Kelima (Searching for the Fifth Principle, 2015), through the post-structural concepts of Derrida’s deconstruction, and also in relation to cultural studies views on identity. The works were analyzed through close-reading technique. The novels were published during the Reformation (Reformasi) era, where politics had served to be a profound aspect that directed the cultural identity and social attitude of the society. In a range of aspects, from narrative structure to their deeper themes, Hui’s literary works were found to draw on a distinguishable set of strategies which enabled Hui to establish her own identity as someone who was liberated, culturally accepted and free to embrace local colors. This article also showed that Audrey Yu Jia Hui’s narratives have served as an acceptance of an individual’s multiple identities, which often depends on the problem at hand as well as the context of choices.