I Nyoman Suka Ardiyasa, I Nyoman Suka
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MAKNA FILOSOFI HARI RAYA GALUNGAN PADA ERA GLOBALISASI Ardiyasa, I Nyoman Suka
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 2, No 1 (2018)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

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Galungan celebrated by Hindus every 210 days. This celebration is in accordance withthe calculation wuku calendar system. Meaning of Galungan is the day that the victory of dharmaagainst adharma is commemorated with devotional prostration harness presented to Ida SangHyang Widi Wasa. But over time, especially in this globalization era many shifts of meaning ofthe celebration of Galungan. Trend-oriented globalization are just looking for satisfaction ofworldly (material and pleasure oriented) background by the philosophy of hedonism, a worldlyview of life-oriented and do not believe in natural law or hereafter karmaphala. In Hinduism, itis stated that if the orientation of the human and material just sheer pleasure, the men werefound only satisfactory kama (lust). One phenomenon that we can see in the celebration of theFeast Survey Online.com with the holding Bazzar trens globalization as a venue to celebrate thevictory of dharma against adhrama, but we know the Bazzar Galungan is synonymous withliquor such as beer, even complete with arena-like jojing discotheque. So it is not uncommon inthe circuit implementation of the bazaar Galungan always colored noise, both in small scaleand has been entered in criminal cases, of course this is not in accordance with the sprit of theday Galungan. Besides, at the time of celebration penjor survey in the several places is a veryimportant part in carrying out the celebration of Galungan. Penjor is the meaning of the expressionof gratitude presented to Ida Sang Hyang Widi Wasa grown to deliver to the earth to him, butlater can be found in several places penjor positioned as a showcase to seemed to show thattheir owners are coming from the class and respected, as well as additions of ornament whichdoes not correspond with the philosophies inherent in the meaning penjor.
PERAN MPU KUTURAN DALAM MEMBANGUN PERADABAN BALI (TINJAUAN HISTORIS, KRITIS) ARDIYASA, I NYOMAN SUKA
Purwadita : Jurnal Agama dan Budaya Vol 2, No 1 (2018): Vol 2, No 1 (2018)
Publisher : STAH Negeri Mpu Kuturan Singaraja

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Mpu Kuturan is one of the central figures in building the civilization of Bali, one of which is able to change the order of life of the Balinese towards a better and have a clear order of life. Mpu Kuturan in various texts has many term names such as Senapati Kuturan, De Senapati Kuturan, Sang Senapati Kuturan. However, if viewed from the root he said Mpu Kuturan derived from the word Mpu, Pu, Umpu, Mpukwing used for everyone who has expertise in the field / experts while Kuturan likely comes from the word Kuturan/Kutur which means region. While Senapati is the person in charge of implementing the king's order to his people in development in all fields, including the construction of sacred places. The role of Mpu Kuturan in building Bali is very big, such as the unification of sects in Bali, the establishment of the concept of the village of Pakraman widely known with the concept of Tri Kahyangan, establishing temples of heaven that spread throughout Bali and the most important is to build the order of life of the Balinese pluralists by prioritizing common interests above individual or individual interests. To honor the services of Mpu Kuturan, then made a special pelinggih for him shaped Salwang Manjangan, because the arrival of Mpu Kuturan to Bali supposedly riding a deer.
GEGURITAN SALAMPAH LAKU DALAM PANDANGAN STILISTIKA Ardiyasa, I Nyoman Suka
Widyacarya: Jurnal Pendidikan, Agama dan Budaya Vol 2, No 2 (2018)
Publisher : Widyacarya: Jurnal Pendidikan, Agama dan Budaya

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Stylistics is the science of using language in literary works. Use of language stylesspecifically in literature. The language style that arises when the author expresses his idea. Thisstyle of language is an art effect and is influenced by conscience. Through this style of languagea poet expresses his idea. Disclosure of ideas created through beauty in the author's languagestyle. In Geguritan Salampahlaku The work of Ida Made Sidemen Geguritan Salampah Laku isa composition of Bali Purwa poetry whose choice of words has been precisely and carefullydetermined by the poet (Ida Pedanda Made Sidemen), so that both the title and lyrics in theverses are heard as a unified whole and attracts the audience to explore deeper into the contentsof the geguritan. This Geguritan tells the life journey of an Ida Pedanda Made Sidemen. Throughthe stories arranged array where the poet appears to create cohesive meaning from the beginningto the end through concrete words. The concrete arrangement as a whole tells how Ida PedandaMade Sidemen's life journey is full of simplicity. Geguritan Salampah Laku is also a literarywork that is very rich in plastic language (Figurative Language) where the figure of an IdaPedanda Made Sidemen who is very humble, can be seen in the use of majas-majas litotes whichalways declares his deficiencies and does not want to glorify himself. Poets are also very concernedabout the pattern of taxation that was built by the pupuh-upuh which is certainly bound by therules of padalingsa, the teacher of wilang, and the master teacher. The tone conveyed is aphilosophical tone that appears from the poets' life philosophies as outlined in the literary work.In Geguritan Salampah Laku the Poet implies a moral message as an opening, that is, in thislife, don't ever glorify yourself or boast.Keywords: Geguritan Salampah Laku, Stylistics
PEMUJAAN AGNI DALAM SAMA WEDA Ardiyasa, I Nyoman Suka
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 4, No 1 (2020): Filsafat Ketuhanan
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

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One of the Sama Weda holy book is  discuss Agni worship which is believed to be able to destroy sins and be able to provide information or efforts towards success or efforts to obtain art. In the Reg Vedic scriptures, in the first mantram, the first Sukta at the first Mandala Agni is called Purohita the devata which leads to prosperity and happiness. In Sama Weda, Agni is said to be a witness who still exists today in every Hindu worship. Agni is a visible manifestation of God Almighty who is very close to his people who are believed to always give his holy light to help his people in life, where in the implementation of the yajna ceremony conducted by his people Agni is always the witness as an ambassador, chosen, in the organizer of the holy yajna because it is believed Agni who gave all the wealth and protect his people from all suffering.Anggraini, P. M. R., & Somawati, A. V. (2020). PRAMANA DALAM PERSPEKTIF PENALARAN FILSAFATI. Genta Hredaya, 2(2).Artiningsih, N. W. J. (2020). ESTETIKA HINDU PADA PEMENTASAN TOPENG SIDAKARYA DALAM UPACARA DEWA YADNYA. Genta Hredaya, 3(2).Dewi, N. M. E. K. (2020). TEOLOGI DALAM PEMUJAAN SIWA LINGGA. Genta Hredaya, 3(2).Eka Suadnyana, I. B. (2020). IMPLEMENTASI NILAI ETIKA HINDU PADA GEGURITAN NI SUMALA. Bawi Ayah: Jurnal Pendidikan Agama Dan Budaya Hindu, 11(1), 100-116. https://doi.org/10.33363/ba.v11i1.445Gunawijaya, I. W. T. (2020). TEOLOGI SEKS DALAM PENCIPTAAN KETURUNAN SUPUTRA. Genta Hredaya, 3(2).Hartaka, I. M. (2020). MEMBANGUN SEMANGAT KEBANGSAAN PERSPEKTIF ETIKA HINDU. Genta Hredaya, 3(2).Heriyanti, K. (2020). KEUTAMAAN API SEBAGAI SIMBOL DEWA AGNI DALAM AKTIVITAS RITUAL KEAGAMAAN UMAT HINDU. Jñānasiddhânta: Jurnal Teologi Hindu, 2(1).Krishna, I. B. W. (2020). KAJIAN MULTIKULTURALISME: IDE-IDE IMAJINER DALAM PEMBANGUNAN PUJA MANDALA. Genta Hredaya, 3(2).Marselinawati, P. S. (2020). FILSAFAT KETUHANAN DALAM BHAGAVAD GITA. Genta Hredaya, 3(1).Minsarwati, W. 2002. Mitos Merapi dan Kearifan Ekologi. Kreasi Wacana  : Yogyakarta. Pudja, Gede. 1979. Sama Weda. Departemen Agama RI : Jakarta.Semadi Astra Dkk. 2010. Mutiara Warisan Budaya Sebuah Bunga Rampai Arkeologis. Arkeologi Fakultas Sastra Kerjasama dengan Progran Studi Magister dan Program Doktor Kajian Budaya Universitas Udayana Denpasar. Titib., I Made. 2007. Teologi dan Simbol-Simbol dalam Agama Hindu. Paramitha : Surabaya.Untara, I. M. G. S., & Suardika, I. N. (2020). MAKNA FILOSOFI AJARAN SIWA BUDDHA DALAM LONTAR BUBUKSAH. Genta Hredaya, 3(1).Windya, I. M. (2020). KAKAWIN ARJUNA WIWĀHA: KAJIAN TEOLOGI HINDU. Genta Hredaya, 3(2).Yhani, Putu Cory Candra. "RELEVANSI AJARAN SOCRATES DALAM AGAMA HINDU." Genta Hredaya 3.2 (2020).Yogiswari, K. S. (2020). Tabu, Perspektif Filsafat Seputar Seksualitas Manusia. Nilacakra.Yogiswari, K. S. (2018). PENDIDIKAN HOLISTIK JIDDU KRISHNAMURTI. GUNA WIDYA: JURNAL PENDIDIKAN HINDU, 5(1).Suadnyana, I. B. P. E. (2020). AJARAN AGAMA HINDU DALAM GEGURITAN KUNJARAKARNA. Genta Hredaya, 3(1).
Catatan Perjuangan Bahasa Bali dalam Kurikulum 2013 Ardiyasa, I Nyoman Suka
Jurnal Kajian Bali (Journal of Bali Studies) Vol 2 No 2 (2012): BAHASA BALI DALAM PELANGI ILMU
Publisher : Pusat Kajian Bali Universitas Udayana

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AbstractThis article chronicles recent efforts to maintain Balineselanguage instruction in Balinese schools in response to the2013 National Curriculum, which was to replace the formerCompetency-Based Curriculum (Kurikulum BerbasisKompetensi). The new curriculum aimed to integrate locallanguage instruction into the module for ‘local content/artsand culture’ (muatan lokal/seni budaya). It is important tonote, however, that Balinese were not alone in reacting tothe ‘disappearance’ of regional languages from the draftCurriculum for 2013. Rather, their desire to ensure thecontinuity of instruction in Balinese found parallels in otherregions — such as Central Java and Sundanese-speakingparts of West Java — where similar struggles were afootto uphold the teaching of local languages. It was fearedthat the younger generation would increasingly abandonregional languages should they no longer be taught inschools. Having laid out some of the consequences thatwould follow from abandoning the teaching of Balinese inschools, the article concludes with a series of suggestionstoward the preservation of the Balinese language.