Kukuh Yudha Karnanta, Kukuh Yudha
Departemen Sastra Indonesia, Fakultas Ilmu Budaya Universitas Airlangga, Jalan Dharmawangsa Dalam 29, Surabaya 60286,

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DECONSTRUCTING CULTURAL IDENTITY IN RISHI REDDI’S KARMA AND OTHER STORIES Adji, Alberta Natasia; Karnanta, Kukuh Yudha; Putra, Gesang Manggala Nugraha
ATAVISME Vol 21, No 1 (2018): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (494.894 KB) | DOI: 10.24257/atavisme.v21i1.443.1-16

Abstract

This article strives to deconstruct the main characters? cultural identity in Rishi Reddi?s short stories collection, entitled Karma and Other Stories, as the characters deal with their lives as Indian diaspora in the United States. The applied method is the close-reading technique. This article employs Jacques Derrida?s deconstruction by tracing the binary opposition found within the seven short stories; later they are to be disseminated so that the true meanign can be revealed. The article finds that (1) the emerging conflicts in the stories are caused by the strong ties of the protagonists toward Hinduism and Indian family tradition, with (2) their cultural identity has managed to align with modernity in the US, but (3) their ties to the core Hinduism and Indian principles will remain strong.
PEREMPUAN YANG MENGUNDANG MAUT: ANALISA STRUKTUR NARATIF A. J. GREIMAS PADA FILM AIR TERJUN PENGANTIN Karnanta, Kukuh Yudha
PARAFRASE Vol 15, No 01 (2015)
Publisher : PARAFRASE

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Abstract

Abstract. This article discussed a movie entitled Air Terjun Pengantin, one of the horror movies played in Indonesia in 2010, by utilizing the theory of AJ Greimas’s narrative structure to identify inherent discourse. The discussion aimed at dismantling the cinematic and narrative conventions so that the film could be received and understood. The analysis showed the existence of between men and women relationship as well as the image of women in the film. The relationship went so smooth under the patriarchal ideology internalized through some points and one of them was the film. Thus, both in form and content, Air Terjun Pengantin was one of the films that continues to vocalize patriarchal ideology and women stereotyping. Keyword: struktur naratif, aktansial, perempuan
COUNTER HEGEMONY SPECTACLE STEREOTIP WARIA DALAM INDUSTRI BUDAYA PADA FILM DOKUMENTER NGUDAL PIWULANG WANDU Karnanta, Kukuh Yudha
PARAFRASE Vol 15, No 02 (2016)
Publisher : PARAFRASE

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Abstract. This article discusses two main issues: (1) the effort of counter hegemoni presented in Ngudal Piwulang Wandu documentary film featuring the figure of the Nyi Suci alias Soleh as the mastermind transvestite; (2) the representation of transvestites as an object of entertainment in the context of the cultural industry in Indonesia which produced a certain negative stigma streotipe and on transgender community. The study uses the theory of spectacle and counter hegemony cinematic to explain the significance of the appearance of the film related to the presence NPW transvestites in Indonesia.Kata-kata kunci: Waria, Wayang Kulit, dan Kontrahegemoni
Ekonomi Politik Film Dokumenter Indonesia Dependensi Industri Film Dokumenter Indonesia kepada Lembaga Donor Asing Karnanta, Kukuh Yudha
Jurnal Lakon Vol 1, No 1 (2012): Jurnal Lakon
Publisher : Fakultas Ilmu Budaya Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/lakon.v1i1.1908

Abstract

AbstrakEsai berjudul Ekonomi Politik Film Dokumenter Indonesia: Dependensi Industri Film Dokumenter Indonesia kepada Lembaga Donor Asing 2 membahas struktur produksi film dokumenter di Indonesia di tengah wacana globalisasi dan kapitalisme global. Struktur produksi tersebut merepresentasikan praktik neokolonialisme berkedok globalisasi, khususnya dalam konteks media. Implikasinya, alih-alih mencoba mandiri atau independen, ketergantungan para sineas dan rumah produksi pada lembaga donor sebagai pemberi danamenjadi kemutlakan bagi berlangsungnya aktivitas produksi film dokumenter. Program program produksi film dokumenter seperti KickStart (In-Docs), Eagle Awards (Metro TV), Project Change (Kalyana Shira) yang rutin diselenggarakan setiap tahun merupakan contoh kongkret praktik tersebut. Penulis menggunakan kerangka berpikir cultural imperialism sebagai wujud neokolonialisme untuk mengidentifikasi proses kolonisasi beserta konsekuensi-konsekuensi yang ditimbulkannya.
SASTRA ‘MUNGKIN’: KONTESTASI SIMBOLIK ANDREA HIRATA DALAM ARENA SASTRA INDONESIA Karnanta, Kukuh Yudha
POETIKA Vol 3, No 2 (2015): December
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10431

Abstract

The article entitled Sastra ‘Mungkin’:  A Symbolic contestation of  Andrea Hirata in Indonesian Literature Arena is discussing the literary practices of  Andrea Hirata, a novelist who surprisingly popular in Indonesian literature from 2006 to present.  This article aims to explicit the views and contestation of  Andrea Hirata literary practices based on his views in gaining legitimacy of  his works as an author. This research applies Pierre Bourdieu’s Arena Cultural Production, which assumes that literature is not just a question of  aesthetics but also the struggle of positions between agents operating in the literary arena. According to the research that has been conducted, the result reveals that Andrea Hirata actually has a tendency, furthermore, obsession, in order to gain a specific legitimacy as an author (literar y figure). In doing so, Andrea Hirata impose his views about possibility in Indonesian literature.Keywords: field, Andrea Hirata, symbolic violence, legitimacy, doxa, heterodoxa
COUNTER HEGEMONY SPECTACLE STEREOTIP WARIA DALAM INDUSTRI BUDAYA PADA FILM DOKUMENTER NGUDAL PIWULANG WANDU Karnanta, Kukuh Yudha
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 15, No 02 (2016)
Publisher : University of 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (409.491 KB) | DOI: 10.30996/parafrase.v15i02.573

Abstract

Abstract. This article discusses two main issues: (1) the effort of counter hegemoni presented in Ngudal Piwulang Wandu documentary film featuring the figure of the Nyi Suci alias Soleh as the mastermind transvestite; (2) the representation of transvestites as an object of entertainment in the context of the cultural industry in Indonesia which produced a certain negative stigma streotipe and on transgender community. The study uses the theory of spectacle and counter hegemony cinematic to explain the significance of the appearance of the film related to the presence NPW transvestites in Indonesia.Kata-kata kunci: Waria, Wayang Kulit, dan Kontrahegemoni
Confessing Love to the Nation: Audrey Yu Jia Hui’s Works and Identity Reconstruction Adji, Alberta Natasia; Arimbi, Diah Ariani; Setijowati, Adi; Wulan, Nur; Karnanta, Kukuh Yudha
JAS (Journal of ASEAN Studies) Vol 6, No 1 (2018): Journal of ASEAN Studies
Publisher : Centre for Business and Diplomatic Studies (CBDS) Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/jas.v6i1.4819

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 This article addressed identity reconstruction through an analysis of two of the most prominent fictional works by one of the Chinese Indonesian young writers, Audrey Yu Jia Hui. In encompassing the idea of identity rewriting, I addressed Hui’s second and third novels respectively, Mellow Yellow Drama (2014) and Mencari Sila Kelima (Searching for the Fifth Principle, 2015), through the post-structural concepts of Derrida’s deconstruction, and also in relation to cultural studies views on identity. The works were analyzed through close-reading technique. The novels were published during the Reformation (Reformasi) era, where politics had served to be a profound aspect that directed the cultural identity and social attitude of the society. In a range of aspects, from narrative structure to their deeper themes, Hui’s literary works were found to draw on a distinguishable set of strategies which enabled Hui to establish her own identity as someone who was liberated, culturally accepted and free to embrace local colors. This article also showed that Audrey Yu Jia Hui’s narratives have served as an acceptance of an individual’s multiple identities, which often depends on the problem at hand as well as the context of choices.
HIERARKI SASTRA POPULER DALAM ARENA SASTRA INDONESIA KONTEMPORER Karnanta, Kukuh Yudha
JENTERA: Jurnal Kajian Sastra Vol 4, No 1 (2015): Jurnal Jentera
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (10397.312 KB) | DOI: 10.26499/jentera.v4i1.379

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Artikel berjudul Hierarki Sastra Populer dalam Arena Sastra Indonesia Kontemporer ini merupakan ikhtiar untuk mendeskripsikan, memahami, dan mengeksplisitkan kondisi kealaman sastra Indonesia kekinian yang menjadi latar kemunculan karya sastra yang diberi label ‘populer’. Karya sastra ‘populer’ sesungguhnya selalu muncul di setiap periode dengan problematikayang kurang lebih mirip: apakah populer itu, siapa yang menyebutnya ‘populer’, apa implikasi dari pelabelan ‘populer’, dan bagaimana modus kemunculan serta keberadaannya. Dengan pemahaman bahwa tidak ada satu pun praktik labelisasi yang tidak mengandung implikasi estetis dan sosiologis, artikel ini disusun dengan pendekatan Strukturalisme Genetik yang digagas Pierre Bourdieu. Pendekatan tersebut, yang lantas melahirkan teori Arena Produksi Kultural, berguna untuk mengidentifikasi kontestasi simbolik yang terjadi diantara agen-agen sastra yang bertarung untuk mendapatkan posisi tertentu dalam arena sastra Indonesia kontemporer.
PERBANDINGAN REPRESENTASI ETNIS UIGHUR DI MEDIA BERITA CHINA DAILY DAN BBC Wanting, Sun; Karnanta, Kukuh Yudha
Jurnal Lakon Vol 8, No 1 (2019): Jurnal Lakon
Publisher : Fakultas Ilmu Budaya Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (377.187 KB) | DOI: 10.20473/lakon.v8i1.9330

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Penelitian yang berjudul ?Perbandingan representasi etnis Uighur di Media Berita China Daily dan BBC? ini dilakukan oleh peneliti untuk melihat citra etnis Uighur yang direpresentasikan oleh China Daily dan BBC. Metode penelitian ini menggunakan metode kualitatif dengan memanfaatkan pendekatan analisis wacana kritis model Teun A. Van Dijk terhadap analisis wacana media, yaitu melalui teks, kognisi sosial, dan konteks sosial dalam membongkar makna dibalik perbedaan representasi teks berita terkait isu etnis Uighur oleh kedua media tersebut. Hasil penelitian ini menunjukkan bahwa media berita online China Daily cenderung memberitakan etnis Uighur dalam perspektif eksotisme. Sementara itu, media berita online BBC memberitakan etnis tersebut secara lebih problematik. Perbedaan ini terjadi dikarenakan adanya pengaruh kognisi sosial dan konteks sosial para wartawan, seperti China Daily yang berada di bawah pengawasan Partai Komunis China dan BBC yang telah dipengaruhi oleh lingkungan sosialnya (sikap kritik).
PEREMPUAN YANG MENGUNDANG MAUT: ANALISA STRUKTUR NARATIF A. J. GREIMAS PADA FILM AIR TERJUN PENGANTIN Karnanta, Kukuh Yudha
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 15, No 01 (2015)
Publisher : University of 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (278.659 KB) | DOI: 10.30996/parafrase.v15i01.434

Abstract

Abstract. This article discussed a movie entitled Air Terjun Pengantin, one of the horror movies played in Indonesia in 2010, by utilizing the theory of AJ Greimasâ??s narrative structure to identify inherent discourse. The discussion aimed at dismantling the cinematic and narrative conventions so that the film could be received and understood. The analysis showed the existence of between men and women relationship as well as the image of women in the film. The relationship went so smooth under the patriarchal ideology internalized through some points and one of them was the film. Thus, both in form and content, Air Terjun Pengantin was one of the films that continues to vocalize patriarchal ideology and women stereotyping. Keyword: struktur naratif, aktansial, perempuan