Negative capability, John Keats’s coined term, defined the ideal poet as the one capable of being in uncertainties and mysteries without any reaching after fact and reason. He insisted poets let the mind be a thoroughfare for all thoughts, by holding on no fixed identity but metamorphic identities. Although, Keats found the ideal quality of a poet in Shakespeare, it did not appear far from logical to investigate it in the characters of his plays, specifically King Lear, since he underwent changes throughout the story. King Lear cut across his egoistic self to enrich his receptivity to the actual vastness of life experience after he became an outsider in his erstwhile kingdom. In this article, I would employ the concept of negative capability to take a step further ahead of its theoretically stipulated implications and investigate it on the character of King Lear.
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