cover
Contact Name
Moh Atikurrahman
Contact Email
suluk@uinsby.ac.id
Phone
+6231-8493836
Journal Mail Official
suluk@uinsby.ac.id
Editorial Address
Program Studi Sastra Indonesia Fakultas Adab dad Humaniora UIN Sunan Ampel Surabaya Jl. Ahmad Yani 117 Surabaya 60237
Location
Kota surabaya,
Jawa timur
INDONESIA
SULUK: Jurnal Bahasa, Sastra, dan Budaya
ISSN : 26862689     EISSN : 27147932     DOI : https://doi.org/10.15642/suluk
SULUK: Jurnal Bahasa, Sastra, dan Budaya is a half-yearly journal published by the literary studies program of Universitas Islam Negeri Sunan Ampel Surabaya. Suluk provides a forum for the scholar of literary studies, with special reference to linguistics, literature, and culture. The journal publishes articles on literature, language, philology, and culture of Indonesia with a special interest in the study of literature/language from different geographical areas such as Arabic, Indonesian, Javanese, etc. Suluk is accredited by Crossref, Google Scholar, Garuda, Indonesia Onesearch, Dimensions, Microsoft Academic, Index Copernicus International, Research Bible, and ROAD. Suluk uses the Open Journal System and email. It is a double-blind peer-reviewed by the international and national reviewers. This journal is an open-access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Articles 35 Documents
Tradisi Keagamaan Sebagai Bentuk Pelestarian Budaya Masyarakat Jawa Pada Masa Pandemi Susanto, Dwi; Rosidah, Ainur; Setyowati, Deivy Nur; Wijaya, Guntur Sekti
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme)
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2020.2.2.107-118

Abstract

Petiken is one of the villages in Gresik Regency that still preserves religious traditions. In its implementation, this tradition is an annual routine. Religious traditions are still carried out by the community even during the COVID-19 pandemic. This study aims to (1) find out the religious traditions in Petiken, Driyorejo, Gresik Villages before the COVID-19 and (2) know the religious traditions in Petiken Village, Driyorejo, Gresik as a form of cultural preservation of the community during the COVID-19 pandemic. This research uses qualitative methods with data collection through interviews and observations. The results of this study were (1) religious traditions in Petiken Village, Driyorejo, Gresik before the COVID-19 were carried out normally, both annual traditions and weekly routines and (2) religious traditions in Petiken Village,the early days of the arrival of COVID-19 which made all traditions temporarily abolished, the PSBB period with the implementation of some traditions underwent a change, and a new normal period by re-implementing all traditions by complying with health protocols.
Pesantren, Perempuan, dan Subaltern dalam Perempuan Berkalung Sorban dan Hati Suhita Haryanti, Novi Diah; Fakhriyah, Farah Nur
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme)
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2020.2.2.140-149

Abstract

This study aims to describe the phenomenon of matchmaking among pesantren. Abidah El Khalieqy's novel Perempuan Berkalung Sorban and Khilma Anis' Hati Suhita are the objects of study. The method used is descriptive qualitative. The data collection technique is done by analyzing the data interpretation. The type of data collected is a library. The approach used is sociology of literature. The data discussed in this study include: (1) comparison of the narrative structure of the two novels above, (2) matchmaking at the pesantren in the two novels, (3) matchmaking between two people and two pesantren, and (4) marriage satisfaction.Research result show Matchmaking in pesantren is usually done because of the interests or goals that benefit one of the parties. MatchmakinginThe two novels originated from compulsion that led to divorce and sadness, especially on the part of women.
Nilai Budaya dan Sistem Kepercayaan dalam Legenda Raden Ayu Oncattondo Wurung: Kajian Folklor Fadhilasari, Icha; Rahmanto, Mohamad Nizar
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 3 No. 1 (2021): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2021.3.1.34-45

Abstract

Legenda merupakan bagian dari folklor lisan yang tidak hanya menggambarkan kisah-kisah kolektif suatu kelompok masyarakat tetapi juga mengandung anasir sejarah. Legenda dapat mencerminkan kebudayaan sebuah komunitas kultural. Legenda Raden Ayu Oncattondo Wurung merupakan salah satu folklor lisan yang masih diyakini oleh sebagian masyarakat di sekitar Sidoarjo. Penelitian ini bertujuan untuk mendeskripsikan fungsi, nilai budaya dan sistem kepercayaan pada sosok Raden Ayu Oncattondo Wurung terkait masyarakat di Terung Wetan, Krian, Sidoarjo. Penelitian ini menggunakan metode kualitatif-deskriptif. Dalam pengumpulan data dilakukan pengamatan dan wawancara kepada beberapa tokoh masyarakat dan warga setempat. Hasilnya diketahui asal-usul Raden Ayu Oncattondo Wurung. Selanjutnya, dapat dipahami fungsi, nilai budaya dan sistem kepercayaan terkait legenda tersebut sehubungan dengan masyarakat setempat. Legenda tersebut memiliki dua fungsi yang mengatur perilaku manusia dalam kehidupan masyarakat. Nilai budaya pada legenda tersebut menjadi acuan tingkah laku masyarakat setempat. Nilai budaya dalam penelitian ini difokuskan pada nilai rohani, yakni: 1) kebenaran, 2) keindahan, 3) kebaikan, dan 4) nilai religius.
Kilas-Balik Wabah di Indonesia: Mengurai Kembali Pandemi COVID-19 Melalui Peristiwa Flu Spanyol 1918-1920 Khodafi, Muhammad; Wildayati, Wildayati; Septiyani, Rizki Endi
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme)
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2020.2.2.91-106

Abstract

This paper aims to determine (1) the events of the Spanish Influenza 1918-1920 pandemic in Indonesia, (2) the COVID-19 pandemic in Indonesia, and (3) a map of the COVID-19 pandemic through the Spanish Influenza1918-1920 in Indonesia. This research uses qualitative methods through literature study techniques. The data obtained were analyzed using the phenomenological theory of Alfert Schurtz. The results of this study indicate if (1) the Spanish Influenza1918 in Indonesia can be categorized through the history, impact, and efforts to overcome the pandemic in Indonesia, (2) the COVID-19 pandemic in Indonesia can be mapped into three parts (discussion) similar to the Spanish Influenza 1918 in Indonesia, and (3) a map of the COVID-19 pandemic through the Spanish Influenza 1918 in Indonesia. Overall these two pandemic events can be correlated as historical repetitions, that is, between the past and the present. This research is expected to find continuity as a historical fact as well as learning material in the future.
Lanskap Arkeologi Situs Gosari-Gresik dalam Perspektif Prosesual dan Pasca-Prosesual Safitri, Laksmi Eko
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 3 No. 1 (2021): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2021.3.1.23-33

Abstract

Dalam tulisan ini Situs Gosari-Gresik dikategorikan sebagai salah satu artefak arkeologis Nusantara yang memberikan informasi terkait masa silam. Situs tersebut dipahami sebagai representasi dari perspektif Prosesual dan Pasca-Prosesual. Ruang lingkup tulisan ini menyajikan lanskap Situs Gosari sebagai representasi dari paradigma prosesual dan pasca-prosesual. Kontradiksi kedua paradigma di atas disinergikan untuk mengetahui lanskap Situs Gosari yang terdiri dari bekas tungku pembakaran gerabah, sendang, dan prasasti. Dalam hal itu paradigma pertama menjelaskan tarikh atau usia situs, jenis atau model gerabah yang dihasilkan; korelasi antarunsur arkeologi; dan peranan atau industri gerabah pada masa Majapahit. Sedangkan paradigma kedua digunakan untuk melengkapi analisis yang tidak dapat dijangkau paradigma sebelumnya, terutama terkait interpretasi terhadap sendang dalam pandangan masyarakat setempat berdasarkan tradisi lisan/folklor yang diyakini. Dari kedua paradigma tersebut dihasilkan kesimpulan bahwa kedudukan sendang memiliki peranan penting, baik dalam industri gerabah maupun kehidupan masyarakat sekitar. Selain itu, diketahui bahwa tinggalan budaya tak bendawi masa klasik tersebut masih dipelihara.
Paradigma Posmodern Sebagai Dasar Filosofi Perilaku Budaya Masyarakat Indonesia di Masa Pandemi Tjahyadi, Indra; Indriyani, Jiphie Gilia
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme)
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2020.2.2.130-139

Abstract

This paper focuses its study on the postmodern paradigm as the basis for the philosophy of cultural behavior of the Indonesian people during the COVID-19 Pandemic. This study aims to determine the relevance of the application of the postmodern paradigm as the basis for shaping and strengthening the national immunity of the Indonesian people. The approach used in this study is metodeliterature review. This approach is used because data collection and analysis is based on the literature study stage. The findings of this study are 1) the postmodern paradigm is a paradigm that appears as a critical reaction to the failure of modern projects, 2) rejection and denial of metanarations, monoliths, convention and arbitration systems, as well as rejection and denial of the objectification of truth, subject determination and limitation of freedom. are elements contained in the postmodern paradigm, 3) the postmodern paradigm is relevant to be applied as the basis for the philosophy of Indonesian people's behavior during the COVID-19 pandemic because it can help strengthen national values in Indonesian society.
Pluralitas Mesir dalam Imarah Yakubian: Dialogisme Bakhtin dalam Novel Al-Aswany Nopiandi Khurosan, Herpin
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme)
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2020.2.2.150-159

Abstract

Al-Aswany is known as the writer who often calls for Egyptian democracy. In his creative work, al-Aswany made the themes of democracy, freedom of speech, equality of rights and so on. The various thematic (democracy) in Bakhtin terms are called carnivalistic and/or polyphonic, have many voices. In this paper the author will map carnivalistics/polyphonic through the novel Imarah Yakubian written by al-Aswany. The carnivalism and polyphony of the Jacobian Empire are tested by Bakhtin's dialogic theory. The elements studied include: 1) carnivalization, 2) composition of the polyphonic novel, 3) character and author position, 4) dialogue of the novel consisting of: a) dialogue between characters; b) representation of ideas; and c) intertextual dialogue. As a result, the Jacobian Imarah can be categorized as a polyphonic novel with predominantly carnivalistic features. In the novel there are many dialogical voices. The dialogue is in the form of dialogue between figures as well as dialogue between novel texts (Imarah Yakubian) and other texts.
Nilai-nilai Kearifan Lokal Masyarakat Pandalungan: Kasus Upacara Taropan di Probolinggo Tjahyadi, Indra; Wafa, Hosnol; Zamroni, Moh.
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2020): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2020.2.1.52-62

Abstract

This study focuses on the values of the local wisdom of hybrid Probolinggo community. The material object in this study is Taropan Ceremony. Taropan is a tradition carried out by the people of Probolinggo. The method used in this research is ethnographic method through data collection interviews, observations, and literature studies. The results of this study note that Taropan exclusively happens only for the people of Probolinggo. The values of local wisdom in Taropan include (1) the values of brotherhood and (2) the value of religiosity. Overall, it can be seen that the values in Taropan are the fundamental element of the local wisdom values of Probolinggo, especially Pandalungan community that has a hybrid identity which are a mixture of Javanese and Madura wisdom values.
Sejarah Peristiwa Sumpah Palapa dalam Kitab Pararaton Santoso, Dwi; Firmaningsih, Ayu; Setyowati, Deivy Nur
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2020): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2020.2.1.44-51

Abstract

This study aims to (1) know the background of Sumpah Palapa event, (2) analyze the value and ideology of Sumpah Palapa, and (3) describe the impact of Sumpah Palapa on the Majapahit Kingdom recorded in the Pararaton Book. This study uses a qualitative research method based on the Pararaton Book which was rewritten by Hardjowadojo (1965). The results of this study are (1) the background of Sumpah Palapa (Amukti Palapa) as a manifestation of Gajah Mada's political policy to invade several regions in the archipelago in order to unite them under the reign of Majapahit, (2) the value and ideology of Sumpah Palapa in the Pararaton Book which are the similarity of the slogan of Bhineka Tunggal Ika, Sumpah Palapa, and Mitreka Satata. All of them are the spirit to unite the diversity of the archipelago in one sovereignty, (3) There are three impacts of Sumpah Palapa recorded in the Pararaton Book namely Bubat War; the cessation of Gajah Mada as Mahapatih Amangkubhumi; and the death of Princess of Sunda who was the future wife Prabu Hayam Wuruk. Overall, it can be seen that the history of Sumpah Palapa event had been recorded in the Pararaton Book and were in accordance with other historical data that become the sources of literature references in this study.
Kesenian Arsitektur Islam: Alun-alun Kabupaten Gresik Pasca Renovasi Wafi, Abdul; Novita Rahmah, Farida; Novia Rahmah, Fadlilah
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2020): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2020.2.1.37-43

Abstract

This study aims to determine the Islamic art architecture used in the Gresik Square building after renovation in 2016. This study uses qualitative research methods based on literature studies and field studies. Literature studies in this study use a journal reference written by Fikriani, Aulia (2010) entitled “Arsitektur Islam: Seni Ruang dalam Peradaban Islam” and a thesis written by Azzahra, Nofianda Fatimah (2018) entitled Konflik Pemanfaatan Ruang Publik Kota. Furthermore, the field data sources in this study uses (1) Interviews obtained from the speaker, Mr. Kris Aji, as historian and cultural observer of Gresik, (2) Observation, and (3) Documentation of the Gresik Square building after renovation. The results of this study are the Islamic architectural art used in the Gresik Square building after renovation including (1) Transfiguration of the hallway structure on the ground floor, (2) Transfiguration or ambiguity of function in open spaces decorated with date palm trees, and (3) Ornamentation with Islamic feature and style used on the second floor of the Gresik Square building fences. Overall, it can be seen that, the Gresik Square building after renovation using Islamic art architecture is used as an affirmation of Gresik's identity as an Islamic city or santri city.

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