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Contact Name
Riyana Rizki Yuliatin
Contact Email
riyanarizki.y@gami.com
Phone
+6281803736337
Journal Mail Official
riyanarizki.y@gami.com
Editorial Address
Jln. TGKH. M. Zainuddin Abdul Madjid No. 132 Pancor Selong, Lombok Timur, NTB, 83611, Telp. (0376) 21394, 22953, Fax. (0376) 22953
Location
Kab. lombok timur,
Nusa tenggara barat
INDONESIA
Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Articles 21 Documents
KEANEKARAGAMAN PENGERTIAN YANG MELIPUTI ILMU DAN SENI Indiana, Jaduk
TAMUMATRA Vol 2, No 1 (2019)
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Abstract

In this journal there is the essence of diversity of notions that include science and art is a qualitative research. It is a study of a view in the field of the understanding of science and art, which has meaning and usefulness in the form of science. Understanding of science can improve understanding and functions that are systematic, orderly, organized and methodical. These problems are characterized as: 1). Presentation of understanding of knowledge that contains extensive knowledge. 2). About the difference in understanding of science and understanding of art. 3). Factors of understanding science and art towards knowledge of concepts. 4). About the number of basic understandings of art such as technical, artistic, artistic forms, and skills to make it happen, as well as content knowledge that adheres to a technical reality and artistic form. 5). About the development of art that can be done by the creation of art in order to know the form of science in the form of art. If the main problem is formulated regarding the various meanings of the form of science and the form of art includes 2 things, namely: (1). What Is the Difference of Understanding of Science and Art. And (2). What is the connection between the definition of science and art in the concept. Whereas the purpose of this research is to know clearly the background of Wujug art and art form which contains the diversity of understanding and knowledge. This research was carried out using a oriented approach from the ethnographic workings of describing diversity based on three aspects: understanding, form of art and form of art. Based on the results of this study it can be concluded that the notion of science is a method. Considering the above, it is emphasized that in art works have similarities to existence with science. Thus the essence of the work of art is also a manifestation of symbolic expressions initiated, worked on and realized using methods.
KOMPOSISI DAN TEKNIK PERMAINAN ALAT MUSIK MARAWIS PADA LAGU “SUFNA YUNA” DI PONDOK AL-MUAWWANAHYUNA DI PONDOK AL-MUAWWANAH Efrianti, Baiq Ririn Ety
TAMUMATRA Vol 2, No 1 (2019)
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Abstract

This study aimed to describe the composition and technique of Marawis musical instrument play on the song ?Sufna Yuna? in Pondok Al-Muawwanah, Johar Baru, Penujak Village, Central Lombok Regency. The research was conducted in Johar Baru, Penujak Village. The approach used in this study was descriptive qualitative. The object of this research was the marawis music of Al-Muawwanah boarding school which includes the composition and technique of playing musical instruments marawis on yuna sufna songs. Data collections were done by 1) observation, 2) interviews, and 3) documentation. Data analysis was carried out by 1) data reduction, 2) data presentation, and 3) conclusions. To check the validity of the data, the data validity technique is Credibility. From the results of the study found about: 1) the composition of musical instruments marawis on yuna sufna songs include rhythm / rhythm, tempo, dynamics, poetry, and instruments. 2) the technique of playing musical instruments marawis on yuna Sufna songs consists of the technique of playing or technique, and the sound of each musical instrument.
JEJAK LAGU INDIA PADA INDUSTRI LAGU ACEH Erlinda, Erlinda; Anwar, Humaira; Juliana, Rena
TAMUMATRA Vol 1, No 2 (2019)
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Abstract

Dengan perkembangan industri lagu Aceh yang semakin pesat, perhatian masyarakat semakin tinggi pula terhadap industri lagu Aceh. Tidak jarang masyarakat Aceh menemukan irama lagu India yang sudah mereka tonton sebelumnya diadopsi oleh irama musik Aceh dengan hanya mengganti liriknya ke dalam Bahasa Aceh. Penelitian ini mengemukakan alasan masyarakat Aceh menyukai lagu India dan bagaimana tanggapan pelaku musik Aceh terhadap perkembangan lagu Aceh yang dipengaruhi lagu India.Penelitian ini menggunakan pendekatan kualitatif dengan instrument penelitian kuisioner, wawancara, dan dokumen. Populasi dalam penelitian ini adalah masyarakat Aceh dan sampelnya adalah 5 orang masyarakat asal masing-masing kabupaten/kota di Aceh (secara random) dan 3 produser/penyanyi Aceh. Hasil penelitian menunjukkan bahwa alasan masyarakat Aceh menyukai lagu India adalah karena seringnya menonton film India dan lagu-lagu soundtrack­-nya sering diputar di tempat-tempat umum di Aceh. Selanjutnya, tanggapan produser/penyanyi musik Aceh terbagi menjadi dua, yaitu menolak adopsi lagu India ke dalam lagu Aceh dengan hanya mengganti liriknya dengan alasan seorang artis seharusnya menghormati artis lainnya. Ada pula produser/penyanyi yang menerima adopsi ini karena hanya ingin menyajikan musik yang diinginkan masyarakat Aceh itu sendiri.Kata kunci : lagu Aceh; lagu India; industri musik; masyarakat Aceh
KESENIAN REYOG PONOROGO DALAM TEORI FUNGSIONALISME Kristianto, Imam Kristianto
TAMUMATRA Vol 1, No 2 (2019)
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Abstract

Kesenian reyog Ponorogo adalah kesenian rakyat yang tumbuh dan berkembang pada wilayah Ponorogo dan berkembang di Jawa dan luar Jawa, yang mana syarat akan nilai-nilai yang terkandung didalam pertunjukannya. Maka Penelitian ini bertujuan untuk memaparkan dan menganalisis Kesenian Reyog Ponorogo dalam teori fungsionalisme. Pelaksanaan penelitian dilakukan di Kabupaten Ponorogo Jawa Timur. Metode yang digunakan adalah metode penelitian kualitatif dengan pendekatan, seni pertunjukan dan antropologoi. Objek dalam penelitian ini adalah kesenian Reyog Ponorogo meliputi fungsi dalam kajian kontekstual. Dari hasil penelitian ditemukan tentang fugsi kesenian reyog Ponorogo terdiri dari a) agama b) sosial ekonomi c) pendidikan d) birokrasi dan e) estetika.
KOMPOSISI GERAK PADA PERTUNJUKAN KESENIAN TARI PETUK DI DESA SADE KABUPATEN LOMBOK TENGAH Fajrianti, Nur Aini; Imtihan, Yuspianal
TAMUMATRA Vol 1, No 1 (2018)
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Abstract

Gerak-Gerak yang menujukkan kejenakaan dalam tari Petuk sebagai satu komposisi utuh menjadi daya tarik tersendiri
TEATER SEBAGAI WACANA: SEBUAH METODE DALAM GARAPAN SENI PERTUNJUKAN PADEPOKAN SENI BAGONG KUSSUDIARDJA (PSBK) Satrya HD, Dharma
TAMUMATRA Vol 1, No 1 (2018)
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Abstract

This study focuses on theatre theory art resident (PSBK) developed by Bagong Kussudiarda. It applied ethnography research. Researchers is as the audience as well as Brigade Pamungkas Jagongan Wagen (JW) team. This research is about the creative process from the researcher?s experience. Researchers conducted observations actively in his creative process, so this research is an ethnographic writing about PSBK theatre process. The result shows that theatre is stated as a method of early theatre production.  Discourses of theatre are viewed genealogically, from Teater Menyenangkan, Teater Super Menyenangkan, Sandiwara Teater Perempuan, Adi Seni Teater, Sekar Sajen, Jenaka Akting Teater, and Mendadak Teatrik Intrik Musik Asik. PSBK considers theatre not only as the subject, but also as the object of performance art. Keywords: PSBK, theatre method, discourse   
WACANA POS-DRAMATIK DALAM TEATER POOH-POOH SOMATIC: ON CROWD OF BIOGRAPHIESKARYA KALANARI THEATER MOVEMENT YOGYAKARTA Cantini, Cucum
TAMUMATRA Vol 1, No 1 (2018)
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Abstract

The Pooh-pooh Somatic: On Crowd of Biographies that Kalanari Teater Movement has performed at Pusat Kebudayaan Koesnadi Hardjasoematri, Gadjah Mada University on August 22 2017, has become one of the dramatic theater movement of discourse to the post-dramatic. The phenomenon of the death of the text has come to the fore in Indonesian performing arts. This review will discuss the discourse of drama production by reaching out the Lehmann post-dramatic phenomenon. The death of conventional texts that are present in the drama-script, turns into a phenomenon of the emergence of theater productions that put the body forward rather than the language that was previously the main standard to convey meaning to the audience. Through Foucalt's perspective of discourse, this study will discuss the process of dramatic theater movement from dramatic to post-dramatic. The point of this paper is that post-dramatic theater becomes part of the performing arts that remains part of contemporary drama or theater. While not exploiting text or language, symbols and sounds have been communicated to the audience. In this case, the narration through symbols and sounds is agreed as a universal language.Keywords: drama, post-dramatic, language, theater, Kalanari.
BENTUK PENYAJIAN GENDANG BELEQ GUNTUR TLU DESA SONGAK KECAMATAN SAKRA LOMBOK TIMUR NTB Rohin, Wiwin Familia
TAMUMATRA Vol 2, No 1 (2019)
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Abstract

            This study aims to describe the form of serving gendang beleq guntur tlu Songak village, Sakra Lotim district, NTB. This research was also conducted because this music is a traditional art that is in Songak village which must be preserved,one of the ways is to do this research.             The approach used in this research is descriptive qualitative. The object in this study is gendang beleq guntur tlu which includes the presentation form. The subjects in this study were supporters of gendang beleq guntur tlu itself. The study focused on the form of gendang beleq gutur tlu. Data collection by(1) Observation, (2) interviews and (3) documentation. Data is done by (1) data reduction, (2) data presentation, (3) conclusion. To check the validity of the data, the data validity technique is used by triangulation technique.            From the results of the study, it has been found about: (1) The form of the presentation gendang beleq guntur tlu is a form of dance orchestra music using various traditional musical instruments and covers. Gendang Beleq Guntur Tlu itself. b. Performance (performance) c. Performance procedures d. floor pattern.   e. dance f. place of show g. cosmetology h. fashion and i. music. (3) Musical instruments used by gendang beleq, petuk, cemprang / ceng-ceng, reong, gong,oncer.
STRUKTUR DAN FUNGSI TARI AMAQ ABER DESA MENDANA RAYA KECAMATAN KERUAK KABUPATEN LOMBOK TIMUR Yuniarni, Ema
TAMUMATRA Vol 1, No 2 (2019)
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Abstract

Amaq Aber dance at the Traditional Sanggar at Mendana Raya Village has a special uniqueness that makes it worth knowing more about its structure and function. This study focused on the structure of the Amaq Aber Dance seen from the motion of the elements of dance and performance function of Amaq Aber.This type of research used a descriptive type of qualitative method. The subject in this study was AmaqAberdancein the Amaq Aber Village of Mendana Raya, Keruak District, and East Lombok Regency. Data collection technique used in this study was interview, observation and documentation. Data analysis techniques used consisted of four stages, namely, data collection (data collection), reduction (data reduction), data display (data presentation), and conclusions drawing / verification (conclusion checker and verification).The results of this study included the Form of AmaqAber Dance which being danced first, called Datu Bajang Dance, consisted of the movement of two dancers as bodyguards and two dancers as rulers. The second part of the dance is called AmaqAkus dance, which was the king's messenger dance with irregular and non-patterned movements. Part three dance is called the Panji Dance, which was a princess, a prince and both bodyguards. Part four dance is called TariPanji as well, but only penguaya dances (princess and prince). The dance function of AmaqAber was as a treatment, repellent and entertainment.
THE LOVE AND FOOL TRAGEDY IN “KING LEAR” DRAMA BY WILLIAM SHAKESPEARE Wahidah, Nurul
TAMUMATRA Vol 1, No 1 (2018)
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Abstract

Literary work is one of the ways to show some phenomena in this world. Social condition in one country or city can be read in a novel or drama. All of the events and situation at the time become basic idea for author to elaborate his idea through imagination. The story which appeared in that work will be didactic matter for some people. The story also can be end by happy catastrophe or sad. The purpose of this written is to know and to gain social event that happened behind the story. The only key to get the meaning of that story is by reading process.  Beside that through reading, the meaning of the story in that work will be emerged.  Reading is a very important action to check the meaning of literary work or playwright. In this drama the story talks about foolish character which cannot get happiness. The story is so sorrowful and full of tragedy. The main character feels sadness and hopeless.  Without reading the meaning of that drama cannot be understood.  Key word: Meaning, Reading, and tragedy.

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